Showing posts with label embellishment. Show all posts
Showing posts with label embellishment. Show all posts

Friday, February 1, 2013

Embellished Felted Vessel

Remember my foray into wet felting?

Back in November, I made this little felted vessel; I wanted to embellish it, but I put it aside, because I was busy working on my Head-to-Head challenge neckpiece (and working, and working...)

I finished the neckpiece a week ago today (yay!) - and started embellishing my felted vessel on Tuesday of this week, after enjoying a few days away from tiny seed beads.

After 2 days of stitching, here is my bead-embroidered vessel:
I added one of my enameled flowers, and embroidered a stem and leaf for it - the leaf is a little outsized for the flower, but that's OK!


I reined myself in, and didn't go all overboard with the embellishments. I like it!

Monday, January 14, 2013

Head-to-Head Challenge Reveal!

I have been stitching, and stitching .... and I'm still not finished. But here is my head-to-head challenge piece as of 30 minutes ago:

It's hard to tell from this photo, but the piece isn't fully embellished yet; I'm going to run through a chronology of the creation of this necklace, so if you want the gory details, keep reading!

It all started on October 14, when my friend Sonya and I were sitting around, trying to think of something new to tackle. We thought freeform would be interesting, and we added a slight "twist" by deciding that the finished piece should include this ceramic bead:

I got off to a LOT of false starts.

Picking colors and beads was the easy part (for a change). For each color, I chose delicas, 11/0s rounds, 15/0 rounds, 8/0 rounds, 6/0 rounds, 4mm cubes, 11/0 triangles, Czech firepolish beads, and more.

This is the template I drew up for my neckpiece - showing the size, shape, and color placement I envisioned, as well as the center placement for my orange ceramic triangle bead:
Paper template
Template detail

Everything I have ever read about freeform recommends putting your chosen seed beads into a bead soup, so that you truly choose them randomly for the design. I actually balked at this for 3 days, because I don't like my beads all mixed together! But I finally did it, and then laid out my beads in the way I saw them going into the design:



But then the trouble started.  I have made several freeform peyote bracelets, but never a necklace. When I make freeform peyote bracelets, I start stitching at one end of the bracelet, and finish at the other end; meaning, my stitching goes back and forth across the width of the bracelet, not the length (I hope that makes sense).

Everything I had read about freeform peyote tells you to stitch the other way - across the length of the design, adding width as you go. So, even though my brain was screaming that this would never work, I decided to try it this way, and strung up all the beads I thought I would need for the base row around the neckline. Laying all the beads out in piles like this on the template was to help me know when to pick up a new color - since the template was actual size, I could see that I would pick up about an inch of orange, and inch and a half of blue, etc. These beady piles would keep my stitching on track, and my colors in the right place. Allegedly.

I could get a few rows stitched, but just could NOT figure out how to increase the length of the work symmetrically so that it would grow from 17 inches long (the inside length) to 24 inches long (the outside length). So after several days of trying (and many yards of Fireline wasted) I finally decided to do it MY way. (the pic above actually shows one of my attempts to stitch across the length of the necklace)


So, now that I would be stitching along the width of the piece, color by color, I could put away all the beads except for the color I was stitching. Whew! I can't tell you how many times I bumped this set-up, sending all the beads spreading out into other sections, requiring much wasted time, re-sorting the seed beads. Plus, it was horribly time consuming to pick up and take home with me, or to try to work around if I had to stop working on this to do something else. I dumped each pile into its own little bowl, and breathed a sigh of relief!

Then I discovered that I just canNOT stitch from bead soup - I absolutely needed to know whether I was picking up a delica, a 6/0, or whatever - it makes a huge difference! Certain spaces will allow for one size bead, whereas other spaces need another size or shape. So I had to sort all my bead soups before I could stitch. For some of the colors, I had chosen 5 or 6 different colors of delicas, and these I didn't sort further: it was the size and shape of the bead that mattered, not the color. But when I'm finally done, I can't wait to sort them ALL and get them back in their rightful containers. Bead soup bugs me!

Finally, by November 10, I had the ends stitched. (I had spent many sleepless hours pondering the design and creation of this neckpiece, and realized that if I wanted symmetry, it made the most sense to stitch the piece, simultaneously, in 2 halves, and then join them in the middle.) Here is my progress on November 10:


As I said earlier, I had chosen a lot of beads for this necklace, and my plan was to incorporate the bigger "focal" beads into my work as I stitched. But after working these 2 gorgeous copper-colored freshwater coin pearls into my ends, which required much tedious increasing and decreasing, I abandoned that plan, deciding that I would just go back and embellish the whole necklace when I finished the peyote. Y'all know how I love to embellish! I wanted to abandon the plan after I added the FIRST copper pearl, because it was such a pain in the ass to add, but I wanted my 2 sides to match!

November 14:
The pieces have grown from 3/4" wide, to about 1-1/4" wide. They don't quite match, but close enough. They desperately want to increase, and just get wider and wider, so I have to keep reining this in by doing some compensatory decreasing.

The photo above is the one that I photoshopped for my November 14 blog post:

November 16:
I used my paper template constantly, making sure the pieces I was stitching stayed on track. The blue section on the right (above) got a little off track - I decreased a little bit too much, so it is slightly narrower than the template. But I decided to live with it (I desperately wanted to rip out the stitches and correct it!)

November 20:
The blue sections are done, and I'm moving on to the purple. The sections are taking a little longer to stitch - they are wider, and longer, but I still think I'm making good progress.

December 7:
3 weeks have passed. It is taking way longer to stitch these pieces - one row is taking almost 30 minutes! Crazy! The outer edges of the neckpiece are now so much longer than the inner, that I have to add many beads (increase) as I stitch towards the edges. I developed what I call an "island swirl" technique to add these sections of increase, and sometimes these little islands of peyote that I add take the stitching a little beyond the edge of the template. But a little bit over the edge I can tolerate. Unfortunately, the pic above shows a swirl that just got too far beyond the edge for me (blue arrow), so I slept on it, and decided to take out this section. Spent 2 days undoing it. Oops. Setback.

At this point, I took a break from working on the neckpiece body to attach the clasp, because the clasp plays such a role in determining the final length and fit of a piece. I had allotted about 1.5" for the clasp when I drew the template, with no thought to what clasp I would ultimately use. I found a Swarovski Cosmic Square that matched perfectly, and used square stitch to attach it to one end, and stitched a peyote toggle bar for the other side:



December 14:
The purple section on the right is finished, and I'm working on the left-sided (as you look at the pic) purple.

December 19:

The purple sections are done, and I'm transitioning into the orange. This pic above actually shows some of  my island swirls for increasing; here is a close-up:
I lay the stitching on the template, and note where the outer edges need to be wider than the inner edge. Then I string enough beads to outline this area that needs to be increased, and bring that strung loop of beads around to the piece and attach it. I just start filling in the inside of the loop until it's full. Then I weave the thread out to the leading edge of the piece again, and resume regular peyote.

It's taking so long to stitch each section now (the edges are now about 4 inches wide) that I'm starting to despair about the deadline. I decide the project must come home with me on the weekends (especially since the next 2 weekends are long holiday weekends!)

December 29:
I have been stitching everyday (!) and have just now finished the transition zones between the purple and orange. Now I'm scared about finishing by January 14.

Here is where the beads will go:
Here is what I'm thinking: The orange section is actually smaller than either of the purples, and there's only one of them. Plus, the donut and the triangle take up a lot of space - so less peyote! Well dang, I'm almost done. I'm thinking.

But see where the inner purple/orange edges of the neckpiece (above pic) have deviated off the template, and into the area occupied by, oh, say.... a human neck? That's gonna be a problem! (When I finally notice it - I didn't notice it for the first few days of stitching on the orange section)

I started stitching the orange section, and after I had stitched about 1/2 inch onto each side, I "tried it on", thinking I was ready to start connecting the beads. But for some reason (e.g. those edges I mentioned in the last paragraph), I still have a lot of stitching to do before I can even think about attaching the focal beads.

January 8 (6 stitching days until the reveal!):

Sonya came by to visit, and I hid my work from her, but held up the ceramic triangle, to show her I hadn't even worked it into my piece yet (!) - I'm pretty sure she was horrified. As was I. This was beginning to look like it would never be finished!
Late that afternoon, the edges were finally close enough to attach the sponge coral donut! Tomorrow, the triangle! {this pic show the challenges of increasing in this piece - note how the purple/orange transition section is only 3/8 of an inch wide along the inner edge, but 3 inches wide at the outer edge - huge difference! All that difference was created with my "island swirl" increases.}

Can you tell how much wider the front orange section is, from what was allotted for it on the original template? - Yikes!

January 9:
The triangle is hanging by a thread (or two) - but it's attached!

Increasing around the triangle:
I wanted to create a peyote "frame" around the triangle - the beads would follow the shape of the triangle bead, but not touch it. Nailed it!

January 10:
Wow! I finally completed the "base" stitching - the front is way wider than I planned, but that's OK. Tomorrow: embellishing.

I guess I should know by now, everything takes longer than I plan on.

I started the embellishing on January 11. I couldn't start working on the embellishing until mid-afternoon, because Sonya spent the morning with me at the bead shop. Had to keep my project under wraps, don't you know.

Stitched for 4 hours that afternoon, all day Saturday, all day yesterday, and 2 hours this morning. By last night, I had accepted that I wouldn't be done by today's reveal, because I stitched for 10 full hours yesterday, and only got ONE purple section embellished. Ridiculous! And I still have the whole orange section plus the other purple one to go!

So, I'm almost done - probably 3 more days of finish work to go. I'll show the finished necklace when it is.... finished.

The embellishment is fun, but tedious. Partly because of deciding where each embellishment will go (requires thinking and planning!), and largely because the dang thread gets caught on every single piece of this neckpiece that it could possibly get snagged on, and I spent many, many minutes untangling it.

The embellishment is adding some beautiful texture, interest, and sparkle to the peyote "plainness" that I see when I looked at the piece on  January 10. It's a little hard to see the actual embellishment in the pics (it just blends into the piece perfectly), but if you compare before and afters, there's no question that there has been a change.

Embellished side:

In the pic below, the blue section is embellished, but not the purple:

Unembellished front section:

On a mannequin:
You can see the embellished purple section on the left, and the plain one on the right.

And here is the neckpiece, flat, again:
Wow - that was a long post. Back to stitching now!

Thanks for reading along! Now head on over to Sonya's blog to see what she's done with her orange ceramic triangle!

Friday, August 24, 2012

Embellished copper earrings

I etched some sheet copper to achieve this cool texture, and then started embellishing the earrings with wire and beads:

Sorry that the pic is a bit overexposed, but you get the idea!

Sunday, June 17, 2012

Chainmaille Earrings with Swarovski Crystals

Chainmaille is near and dear to my heart, in all its iterations - but with my well-known love of embellishing, this pair of earrings was a natural:

They began as "flat chain", a weave I really love - it looks especially nice in bracelets, because it lies so flat. Hmmm -- wonder if that's where the name came from? LOL. This particular flat weave was done with 14g square rings (meaning, the round jump rings were created from 14g square wire). Many of you know I love to mix up my chainmaille by using heavier gauges and/or square or twisted wire for the rings, like this JPL, this dragonscale, and this tryzantine.

Anyway, since this weave does like to lie flat, it was an unusual choice for earrings. But I wanted the earrings, to go with the matching bracelet (which doesn't have crystals - yet). Once I had woven the rings into the earring length I wanted, I saw that they just didn't want to hang right, so I started thinking about dangles. I love Swarovski crystals in Fire Opal AB, and like how they look when paired with citrine AB Swarovskis - so bright, vivid, and summery! So that's what I chose, and I love these earrings!

I haven't listed the bracelet on Etsy - I'm debating with myself over whether to put the fire opal and citrine crystals on the bracelet. But the earrings are available! And if you like them, and would like a matching bracelet (with or without crystals) feel free to contact me through my Etsy shop!

Sunday, March 4, 2012

Cubic Right Angle Weave, Ta-Da!

Remember back to Wednesday, when I had to teach myself Cubic Right Angle Weave (CRAW) on the fly, so I could teach it to 2 customers in the shop?

Here is the sample of CRAW I worked up on Wednesday:


This stitch works up very quickly, and I like it, except for one thing:
If you look at the intersections where the beads come together, you can see all the threads (you may have to enlarge the picture). While the threads are neat, I don't like the fact that they are visible. At all.

The particular pattern I was working from called for embellishing the CRAW, and this is the final result:

In a close-up shot, you can see that the embellishing neatly covers all the bead intersections where threads were previously visible, so that's cool, and this makes a nice bracelet, and would make a nice rope for a necklace. It's rigid, yet flexible, if that makes sense.


However, it is a little too frou-frou for me to use regularly, so while I intend to try CRAW again, I am going to play around with different ways to embellish it. In talking to Karen from Backstory Beads yesterday, she told me that she embellishes her CRAW with peyote, so that is one method I'll be playing with.

Anyone else have any secrets for embellishing CRAW?

Sunday, January 30, 2011

Evolution of a design

I had this gorgeous, large, burgundy Raku bead, and my original plan was to braid a simple beaded kumihimo rope to suspend it from.

But this design quickly became a study in problem solving, with problem #1 being that I didn't have any matching seed beads in a size that would work up into a beaded kumihimo rope.

So I decided I would fall back on one of my favorite beadweaving stitches, the spiral.

I had too many bead choices here, and had to play with them, and keep narrowing them down, so that I didn't end up with a overly busy or chunky spiral rope that would overwhelm the bead, despite the bead's size.

Because this raku cylinder bead was huge - almost 4 inches long, with a very large hole running through it.



This is the spiral I finally decided on: brown freshwater pearls, mauve seed beads, burgundy seed beads, olive green seed beads, and copper seed beads for the core. After stitching this 2 inch length, I came upon problem #2: how to cap the large raku bead?

I spent a couple of days working on this beadcap issue. I stitched a number of different attempts from seedbeads, in various sizes, and various patterns, but none of them worked; they needed to be relatively flat on the end, and then immediately flare out pretty widely, and then hug the bead.

And no ready-made beadcaps were anywhere near the size of this bead's end, so I kept stewing, and started looking around for anything I could use to cobble together a suitable beadcap.



I finally found a combination of Vintaj brass findings that I felt, theoretically anyway, could work.  I used metal punch pliers to punch 6 holes in a Vintaj brass ring, to correspond with the placement of the 6 petals on the Vintaj flower.


These are the 3 Vintaj components I finally settled on - the larger ring is a good size for the end of the Raku bead.




Here is how the 3 components stacked in my plan -  now I just had to get them to stay fastened together (and attach them to the bead!)

I made a number of attempts to wire-wrap the components together, but wasn't happy with any of the results.



So I decided to weave the components together with seed beads, and after several more tries, this is the (somewhat over-exposed, sorry) result. 

I then used 20g Vintaj brass wire to wire the caps to the bead, and then attached a length of spiral to each end.  The original plan, after settling on the spiral, was to have the whole necklace be a simple spiral, but by now I had so mych time and energy invested that I decided to glam it up, and added a short length of Vintage brass chain with fringe embeliishment comprised of Swarovski crystals and freshwater pearls to each side, before continuing on with the spiral rope.



Of course, I had to do some more embellishing, so I added fringe to one side, and some freeform peyote leaves to the other.






Then I finished with a Vintaj brass S-hook and extender chain, providing an adjustable finished length.