Showing posts with label freeform. Show all posts
Showing posts with label freeform. Show all posts

Thursday, March 14, 2013

Freeform Netting Necklace Update

This is how my freeform netting necklace (WIP!) looks this morning (it's my first attempt at freeform netting; I started it a couple of weeks ago):





freeform netting WIP

freeform netting detail

The embellishment beads I'm adding are citrine (in about 7 different sizes, shapes, and colors - look at those gorgeous faceted citrine rounds in the pic above!), hessonite, and freshwater pearls.

The necklace is in the "ugly duckling" stage right  now, where I'm not loving it too much. I still love the colors, but the stitching just isn't there yet. But I know if I keep working with it, it will turn out fine! It's funny how freeform pieces almost always go through these "ugly duckling" phases!

I haven't been able to work on it as much as I'd like, so this project is stretching out, time-wise. I have to regroup and gather my thoughts on this one every time I sit down to work on it, because it's been so long since the last time I worked on it! I hate when my beading gets interrupted!

I somehow got the piece twisted yesterday as I was stitching the last row; I ended the row at the stop bead, instead of on the opposite side. Oops. I looked to see if it made a difference, and I couldn't really tell, due to the wandering freeform stitching I had been doing in the middle section (the embellished section). This wandering stitching was what let me lose my place to begin with, and it's what makes me love the look of freeform, but since this happened at the end of the day, and I was tired, I need to take a fresh look at it this morning. I'll either half to take out half a row (no big deal with netting) or I'll just pick up where I put it down last night, and keep stitching.

I need to make the side pieces a little wider, so they are more proportional to the clasp I plan to stitch for this piece. Then I'll embellish the sides, and continue working with the front.

When I finish this necklace, instead of putting all the beads away, I'm going to make a freeform bracelet to go with it (hopefully, accompanied by one of my beady bloggy friends!). I am really crazy about these neutral colors!

Saturday, March 2, 2013

New Freeform Necklace Underway

I wanted to do another freeform beadweaving piece - I wanted to make a necklace, and decided to give freeform netting a try.

Here is my progress so far:

I have completed the "base," and am ready to start adding some larger stones.

When I was choosing beads, I was really drawn to these colors (not my usual colors - I am into blues/ greens, and purples, usually) - but I really like them together.

Here are my beady piles:
Notice the beads are in individual piles - I will NEVER make the mistake I made last time, and mix them together as soup! It may make it easier and faster and more "random", but my OCD tendencies just cannot stand it! I don't like working with them when they are mixed, and I absolutely have to get them all sorted afterwards!

Here is a more detailed look at the freeform netting:

It is working up a lot faster than the freeform peyote piece (yay!)

Monday, January 14, 2013

Head-to-Head Challenge Reveal!

I have been stitching, and stitching .... and I'm still not finished. But here is my head-to-head challenge piece as of 30 minutes ago:

It's hard to tell from this photo, but the piece isn't fully embellished yet; I'm going to run through a chronology of the creation of this necklace, so if you want the gory details, keep reading!

It all started on October 14, when my friend Sonya and I were sitting around, trying to think of something new to tackle. We thought freeform would be interesting, and we added a slight "twist" by deciding that the finished piece should include this ceramic bead:

I got off to a LOT of false starts.

Picking colors and beads was the easy part (for a change). For each color, I chose delicas, 11/0s rounds, 15/0 rounds, 8/0 rounds, 6/0 rounds, 4mm cubes, 11/0 triangles, Czech firepolish beads, and more.

This is the template I drew up for my neckpiece - showing the size, shape, and color placement I envisioned, as well as the center placement for my orange ceramic triangle bead:
Paper template
Template detail

Everything I have ever read about freeform recommends putting your chosen seed beads into a bead soup, so that you truly choose them randomly for the design. I actually balked at this for 3 days, because I don't like my beads all mixed together! But I finally did it, and then laid out my beads in the way I saw them going into the design:



But then the trouble started.  I have made several freeform peyote bracelets, but never a necklace. When I make freeform peyote bracelets, I start stitching at one end of the bracelet, and finish at the other end; meaning, my stitching goes back and forth across the width of the bracelet, not the length (I hope that makes sense).

Everything I had read about freeform peyote tells you to stitch the other way - across the length of the design, adding width as you go. So, even though my brain was screaming that this would never work, I decided to try it this way, and strung up all the beads I thought I would need for the base row around the neckline. Laying all the beads out in piles like this on the template was to help me know when to pick up a new color - since the template was actual size, I could see that I would pick up about an inch of orange, and inch and a half of blue, etc. These beady piles would keep my stitching on track, and my colors in the right place. Allegedly.

I could get a few rows stitched, but just could NOT figure out how to increase the length of the work symmetrically so that it would grow from 17 inches long (the inside length) to 24 inches long (the outside length). So after several days of trying (and many yards of Fireline wasted) I finally decided to do it MY way. (the pic above actually shows one of my attempts to stitch across the length of the necklace)


So, now that I would be stitching along the width of the piece, color by color, I could put away all the beads except for the color I was stitching. Whew! I can't tell you how many times I bumped this set-up, sending all the beads spreading out into other sections, requiring much wasted time, re-sorting the seed beads. Plus, it was horribly time consuming to pick up and take home with me, or to try to work around if I had to stop working on this to do something else. I dumped each pile into its own little bowl, and breathed a sigh of relief!

Then I discovered that I just canNOT stitch from bead soup - I absolutely needed to know whether I was picking up a delica, a 6/0, or whatever - it makes a huge difference! Certain spaces will allow for one size bead, whereas other spaces need another size or shape. So I had to sort all my bead soups before I could stitch. For some of the colors, I had chosen 5 or 6 different colors of delicas, and these I didn't sort further: it was the size and shape of the bead that mattered, not the color. But when I'm finally done, I can't wait to sort them ALL and get them back in their rightful containers. Bead soup bugs me!

Finally, by November 10, I had the ends stitched. (I had spent many sleepless hours pondering the design and creation of this neckpiece, and realized that if I wanted symmetry, it made the most sense to stitch the piece, simultaneously, in 2 halves, and then join them in the middle.) Here is my progress on November 10:


As I said earlier, I had chosen a lot of beads for this necklace, and my plan was to incorporate the bigger "focal" beads into my work as I stitched. But after working these 2 gorgeous copper-colored freshwater coin pearls into my ends, which required much tedious increasing and decreasing, I abandoned that plan, deciding that I would just go back and embellish the whole necklace when I finished the peyote. Y'all know how I love to embellish! I wanted to abandon the plan after I added the FIRST copper pearl, because it was such a pain in the ass to add, but I wanted my 2 sides to match!

November 14:
The pieces have grown from 3/4" wide, to about 1-1/4" wide. They don't quite match, but close enough. They desperately want to increase, and just get wider and wider, so I have to keep reining this in by doing some compensatory decreasing.

The photo above is the one that I photoshopped for my November 14 blog post:

November 16:
I used my paper template constantly, making sure the pieces I was stitching stayed on track. The blue section on the right (above) got a little off track - I decreased a little bit too much, so it is slightly narrower than the template. But I decided to live with it (I desperately wanted to rip out the stitches and correct it!)

November 20:
The blue sections are done, and I'm moving on to the purple. The sections are taking a little longer to stitch - they are wider, and longer, but I still think I'm making good progress.

December 7:
3 weeks have passed. It is taking way longer to stitch these pieces - one row is taking almost 30 minutes! Crazy! The outer edges of the neckpiece are now so much longer than the inner, that I have to add many beads (increase) as I stitch towards the edges. I developed what I call an "island swirl" technique to add these sections of increase, and sometimes these little islands of peyote that I add take the stitching a little beyond the edge of the template. But a little bit over the edge I can tolerate. Unfortunately, the pic above shows a swirl that just got too far beyond the edge for me (blue arrow), so I slept on it, and decided to take out this section. Spent 2 days undoing it. Oops. Setback.

At this point, I took a break from working on the neckpiece body to attach the clasp, because the clasp plays such a role in determining the final length and fit of a piece. I had allotted about 1.5" for the clasp when I drew the template, with no thought to what clasp I would ultimately use. I found a Swarovski Cosmic Square that matched perfectly, and used square stitch to attach it to one end, and stitched a peyote toggle bar for the other side:



December 14:
The purple section on the right is finished, and I'm working on the left-sided (as you look at the pic) purple.

December 19:

The purple sections are done, and I'm transitioning into the orange. This pic above actually shows some of  my island swirls for increasing; here is a close-up:
I lay the stitching on the template, and note where the outer edges need to be wider than the inner edge. Then I string enough beads to outline this area that needs to be increased, and bring that strung loop of beads around to the piece and attach it. I just start filling in the inside of the loop until it's full. Then I weave the thread out to the leading edge of the piece again, and resume regular peyote.

It's taking so long to stitch each section now (the edges are now about 4 inches wide) that I'm starting to despair about the deadline. I decide the project must come home with me on the weekends (especially since the next 2 weekends are long holiday weekends!)

December 29:
I have been stitching everyday (!) and have just now finished the transition zones between the purple and orange. Now I'm scared about finishing by January 14.

Here is where the beads will go:
Here is what I'm thinking: The orange section is actually smaller than either of the purples, and there's only one of them. Plus, the donut and the triangle take up a lot of space - so less peyote! Well dang, I'm almost done. I'm thinking.

But see where the inner purple/orange edges of the neckpiece (above pic) have deviated off the template, and into the area occupied by, oh, say.... a human neck? That's gonna be a problem! (When I finally notice it - I didn't notice it for the first few days of stitching on the orange section)

I started stitching the orange section, and after I had stitched about 1/2 inch onto each side, I "tried it on", thinking I was ready to start connecting the beads. But for some reason (e.g. those edges I mentioned in the last paragraph), I still have a lot of stitching to do before I can even think about attaching the focal beads.

January 8 (6 stitching days until the reveal!):

Sonya came by to visit, and I hid my work from her, but held up the ceramic triangle, to show her I hadn't even worked it into my piece yet (!) - I'm pretty sure she was horrified. As was I. This was beginning to look like it would never be finished!
Late that afternoon, the edges were finally close enough to attach the sponge coral donut! Tomorrow, the triangle! {this pic show the challenges of increasing in this piece - note how the purple/orange transition section is only 3/8 of an inch wide along the inner edge, but 3 inches wide at the outer edge - huge difference! All that difference was created with my "island swirl" increases.}

Can you tell how much wider the front orange section is, from what was allotted for it on the original template? - Yikes!

January 9:
The triangle is hanging by a thread (or two) - but it's attached!

Increasing around the triangle:
I wanted to create a peyote "frame" around the triangle - the beads would follow the shape of the triangle bead, but not touch it. Nailed it!

January 10:
Wow! I finally completed the "base" stitching - the front is way wider than I planned, but that's OK. Tomorrow: embellishing.

I guess I should know by now, everything takes longer than I plan on.

I started the embellishing on January 11. I couldn't start working on the embellishing until mid-afternoon, because Sonya spent the morning with me at the bead shop. Had to keep my project under wraps, don't you know.

Stitched for 4 hours that afternoon, all day Saturday, all day yesterday, and 2 hours this morning. By last night, I had accepted that I wouldn't be done by today's reveal, because I stitched for 10 full hours yesterday, and only got ONE purple section embellished. Ridiculous! And I still have the whole orange section plus the other purple one to go!

So, I'm almost done - probably 3 more days of finish work to go. I'll show the finished necklace when it is.... finished.

The embellishment is fun, but tedious. Partly because of deciding where each embellishment will go (requires thinking and planning!), and largely because the dang thread gets caught on every single piece of this neckpiece that it could possibly get snagged on, and I spent many, many minutes untangling it.

The embellishment is adding some beautiful texture, interest, and sparkle to the peyote "plainness" that I see when I looked at the piece on  January 10. It's a little hard to see the actual embellishment in the pics (it just blends into the piece perfectly), but if you compare before and afters, there's no question that there has been a change.

Embellished side:

In the pic below, the blue section is embellished, but not the purple:

Unembellished front section:

On a mannequin:
You can see the embellished purple section on the left, and the plain one on the right.

And here is the neckpiece, flat, again:
Wow - that was a long post. Back to stitching now!

Thanks for reading along! Now head on over to Sonya's blog to see what she's done with her orange ceramic triangle!

Friday, October 26, 2012

Turquoise Wire Necklace

This necklace is a combination of stringing plus freeform wire-wrapping:

It is a custom order for a customer; she provided the beautiful turquoise pendant, and wanted a "wow" necklace to complement it.

I strung azurite/malachite, freshwater pearls, sterling silver, and Swarovski crystals, and then started wrapping around the necklace with seed beads, freshwater pearls, turquoise, and more Swarovskis. The wire-wrapping swirls around the necklace like a floating cloud, and I'm crazy about the finished necklace!

Sunday, October 14, 2012

Head-to-Head Challenge



My friend Sonya (SAS Jewelry Designs) and I have decided to try a Head-to-Head Challenge - here's how it works:
  • each participant must incorporate one (or more) matching components into the finished piece
  • the finished piece must contain an element of freeform beadweaving
  • participants will blog at the beginning of the challenge, showing the chosen matching element(s)
  • monthly progress reports will be blogged
  • The finished piece will be revealed on our blogs at the 3 month deadline
Sonya is the Queen of blog challenges, and has a slew of them on her calendar right now, so I'm glad she was willing to take on one more!

Since she and I are the only players this round, we worked together to pick a component for the challenge that we were both excited about working with:
It's a  speckled ceramic red triangle, in a beautiful, autumnal, deep orangy-red. Love it!

And... that pic makes it look huge, so I took another one:

That's a little better.

After years of working for corporations, constantly under the gun with deliverables and other deadlines, I am not so big on deadlines anymore, which is one reason I don't enter many challenges (the other reason being, I am not big on rules, either - preferring to create organically, letting the materials guide the process) - this challenge suits me to a T. The deadline is a long way away, and I can work on this when the mood strikes! Plus, I get to do freeform weaving, my favorite (no rules!) - but can also add any other design elements/techniques I choose. Freeform really needs to happen organically, so I'm glad I have a long time to let this project develop.

I love freeform weaving, and have been wanting to start a freeform piece for over a year - This is just the kick in the butt I needed! Freeform is so liberating - you don't have to think outside the box, because there IS no box!

The deadline for this Head-to-Head challenge is January 14, and Sonya and I will be posting our updates on Nov. 14 and Dec. 14.

Sunday, July 15, 2012

Wire-wrapped Copper Heart Pendant

I'm going to dedicate a few posts to describing how I made the focal pendant and clasp I sent my partner, Kate, for this round of BSBP (Bead Soup Blog Party).
This is the copper wire pendant I sent Kate:

It's freeform, in that I had no pattern to follow. I was basically flying by the seat of my pants, with just a rough idea of where I wanted to end up. But that's what makes it fun!

I started by drawing an abstract paper heart, the size and shape I wanted the pendant to be, on some scrap paper. Then I cut out the paper heart.

Using a tape measure, I (roughly) measured the circumference of the heart I'd drawn, and added about an inch. I believe my measurement was about 6 inches, so I cut a piece of 14g dead soft square copper wire that length. If you don't have 14g, 12g is fine. And if you don't have dead soft, you'll probably have to anneal the wire before proceeding. (Which will lead to having to pickle the wire to remove the firescale - which is why I love dead soft!)

I knew that wherever I started forming the heart would also be where I ended, in other words, I needed to pick my starting point carefully because that's where I would end up doing some wire-wrapping to join the ends together. (I could have soldered them together, but this was a wire-wrapping project, not a soldering project!)

I chose the center top of the heart, figuring that adding some binding wires there would result in the best balance in the finished design. I started my design about 3/4" from the end of the wire, and laid the wire on top of my cut-out paper heart. Using my thumbs, I gently bent the wire to follow the various curves I had drawn, with the except of the 90 degree bend the heart takes at the bottom right - here, I used my flat nose pliers to put a 90 degree kink in the wire, before continuing to curve the wire along my paper template.

When I reached the beginning/end of the design, I left about another 3/4" of wire, and then cut off the excess.

It's important to point out that during this whole shape-forming process, you have to be very careful not to twist the square wire while you are bending it. You want the same surface of the square wire to face upward during the entire process.

Where the beginning and end of the wire met at the top of the heart, I crossed them over each other and then used just enough 24g round copper wire (also dead soft) to form a binding wrap that held the heart shape together. Then I used my round nose pliers to form a loop in both the free ends, bending them around to meet the inside border of the top of the heart, using care again not to twist the square wire. Then I wrapped around these loops and the outside frame of the heart again, until it was secure, and carefully tucked in the ends of the binding wire. No sharp edges!

Then I used a chasing hammer to texture the copper heart frame, resulting in this:


I could have added a bail or jumpring to this and called it a day, but I felt like it needed ... more. So I went searching for suitable embellishments, and chose turquoise blue matrix jasper.

I played with this a little on the paper heart template first. I had already decided against wrapping the jasper directly on the frame, encircling the heart with beads, because I really wanted to fill the wide-open center that was staring at me. I wanted to see how to best wire the jasper to the heart on paper before proceeding, because I didn't want to mar my pretty, shiny, textured copper heart. I really wanted an odd number of "strands" of jasper crossing the heart, because there is something so right about odd numbers in jewelry design. But 3 wasn't enough, and I couldn't make 5 fit. Until I hit upon the idea of having the 5th strand just cross one of the shoulders of the heart!

I used the 24g round copper wire again, securing it to one side of the heart, stringing on some jasper rounds, and then taking it across to the other side. I had a few false starts - one too many jaspers, one too few, attaching in the wrong spot - but I finally hit my rhythm, and got the 5 strands on there in a way that was very pleasing to me.

Next, I cut a 14g jump ring on the largest mandrel I had, and placed it in the top shoulder of the heart. It looked a little plain, so I wrapped it in more of the 24g round copper wire to give it a little texture. Then I put the whole piece in the tumbler for 2 hours to shine it and harden it, and here it is again:

I like the texture that is mirrored by the wrapped jumpring, the joining wrap at the top of the heart, and the wraps that attach the jasper wires to the frame. Very unifying!

Thursday, June 21, 2012

New Earring in the Works

My student yesterday was late so I had to fill some time. Not knowing how late she was going to be, I didn't want to dive into the fringe necklace, so I started playing with some beads, wire, and hoop earrings.
This is how far I got before she finally showed up:


Hoping to finish this pair today - they're freeform, so they go fairly quickly, even though I'm doing a pretty dense pattern.

And here is the finished garnet torsade I created while teaching the multistrand class yesterday:

Monday, April 30, 2012

Blue, Green, and Copper Freeform Wire Cuff

Here is another freeform wire wrapped cuff, this one with green and blue beads that were just screaming to be paired with copper!
I formed the frame for the cuff from heavy, 12g square copper wire, and then started adding the beads in random zigzags from one side of the frame to the other, sometimes connecting the zigzags with another piece of beaded copper wire. I used round 24g copper wire for the beaded cross pieces.

The beads are a mixture of kiwi jasper, turquoise, matrix jasper, and various blue and green glass seed beads, with several shapes of copper beads and spacers interspersed.

I love freeform creating - it's a perfect fit for my personality: outside the box, with no rules! I hate rules! But whether it is freeform wire work or freeform beadweaving, the challenge is to always be thinking a couple of moves ahead, because even though it is "freeform," a little bit of planning is required, especially if you have certain elements that you know you want to fit into the finished piece.

Now, if I only had more time to express myself freely!

Sunday, April 29, 2012

Freeform Wire Wrapped Bracelet

I combined a bead soup mix of blues, pinks, and neutral colors with Vintaj Natural Brass wire to create this freeform wire-wrapped cuff. The bead mix includes aquamarine rondelles; freshwater pearls in peacock blue, pink, and off white, and a mixture of seed beads and small Czech firepolish beads in pinks, blues, and bronze.

Freeform wire work is my preferred way to work with wire, because wire is not my friend! Wire likes to bend, break, and just generally be uncooperative when I work with it, so creating formal, structured pieces is a real challenge for me. I get better results when I either let the wire do whatever it pleases, as with this cuff, OR when I beat the wire into submission with hammers. Either way, I win!