Showing posts with label head-to-head. Show all posts
Showing posts with label head-to-head. Show all posts

Tuesday, February 5, 2013

Freeform Peyote Neckpiece: the aftermath

Part of my process when designing my freeform peyote neckpiece for the Head-to-Head Challenge was to pick out many, many different seed beads sizes and shapes in the various colors I had chosen to work with.

Following the advice of several experts, I combined similarly-colored beads in larger containers, so that (in theory) my bead selection in that color group would be truly random. Not surprisingly (since I know myself all too well) this "bead soup" approach didn't work at all for me, and I had to re-sort the beads before I could stitch. But, being basically lazy, I only sorted enough to stitch with, and only sorted by size (meaning, for example, that if I had chosen 7 different shades of 11/0 Delicas to use, I only re-sorted these into one large pile of mixed orange Delicas, not into their original 7 shades).

Now that the neckpiece is finished, I have a lot of bead sorting to do - I simply have to restore order and usability to this mess - I am just too OCD-inclined to work with unsorted beads!
 

If you look at the unembellished back of the necklace, you can see that I have 8 different bead soups to sort:


  • orange
  • orange-purple
  • purple
  • purple-blue
  • blue
  • blue-green
  • green
  • green-orange
I decided to start by sorting the greens - and since it has been a few months since I worked with the greens, I forgot (at first) about there being  green-orange and  green-blue soups - I dumped out the green soup, starting sorting, and the light bulb came on. So I dumped all 3 side by side, and began by just pulling all the greens out of the green-orange and green-blue soups. Then I could dump the remaining blues in the blue bucket, the remaining oranges in the orange bucket, and dig into the now-larger pile of greens!

3 bead soups containing various green seed beads

mixed green seed beads

Sorting the greens was relatively easy, albeit time-consuming. I had only chosen 2 different shades in 11/0 Delicas, one light, one dark - easy. Only one 11/0, one 11/0 triangle, one 8/0, and one 4 mm cube - not bad. The 11/0 and the light-colored 11/0 Delica were very, very similar, so I actually had to roll each of these side to side, looking for the silver lining in the Delica. But all-in-all, not too bad.

Then I moved on to the blues - 
 sorting the blue bead soup

I had many, many more colors and shapes of blue beads to choose from, and it looks like I chose most of them! For the initial round of sorting, I was easily able to isolate the 11/0 triangles, the 6/0s, the indigo-colored 11/0 Delicas, and the 8/0 Delicas. But I put 6 different blue 11/0 Delicas in the mix, and 4 11/0 rounds. I decided that the better part of valor at first was to pull out the beads I was 100% sure of, and then just make a large pile of mixed Delicas and a large pile of mixed 11/0 rounds, and once I finish this initial pass, I'll go back with my optivisor and further sort the Delicas and 11/0 rounds. 

This will be the same approach I have to take with the oranges and the purples, where I also used quite a few shades of Delicas and 11/0s.

I'll be glad when this is behind me!  

Saturday, January 26, 2013

Freeform Peyote Collar/Neckpiece

I finished this necklace, finally, at 5:54 PM on Thursday (2 days ago)  - but didn't get a chance to take photos until just now.

Here's a photo of the neckpiece on Bessie Mae, my faithful sidekick mannequin:
I am so incredibly proud of this piece - I just hate that the gorgeous green sections in the back don't show. For that matter, the clasp is so pretty, I wish it was visible, too!

I went through a 3-week or so long period where I wasn't that thrilled with the piece - back before it was connected together, and before the embellishing.

Reminder of how it looked un-embellished:
This is actually the back of the finished necklace, and if you look real hard you'll see a few stray threads showing, because the beads just got so full during the stitching process that they wouldn't accommodate even one more thread pass during the embellishing - but it's the back, and after I cheated that first time and let the Fireline cross over a bead instead of passing through it, it got easier to do it a few more times. It won't show!

The sea of peyote just looks so plain - but I absolutely love the finished, embellished result:

During the embellishing process, I was able to add all the lovely gemstone, pearl, and glass accent beads that I had initially intended to work into the piece as I stitched, but it was too much trouble! I used embroidery techniques to create this deeply textural embellishment, which I envisioned as a series of twisting, turning, vine tendrils, snaking their way across the landscape of the piece.


Some close-ups of the embellished necklace:



 Here is the clasp:





And the clasp on the mannequin:

The necklace is comfortable and fun to wear, and I am pondering what to do with it. I have no where to wear it, and may put it in my Etsy shop. Maybe. Not sure I could actually part with it!


More about the creation of this piece - which was designed and created for my first Head-to-Head Challenge.

Monday, January 14, 2013

Head-to-Head Challenge Reveal!

I have been stitching, and stitching .... and I'm still not finished. But here is my head-to-head challenge piece as of 30 minutes ago:

It's hard to tell from this photo, but the piece isn't fully embellished yet; I'm going to run through a chronology of the creation of this necklace, so if you want the gory details, keep reading!

It all started on October 14, when my friend Sonya and I were sitting around, trying to think of something new to tackle. We thought freeform would be interesting, and we added a slight "twist" by deciding that the finished piece should include this ceramic bead:

I got off to a LOT of false starts.

Picking colors and beads was the easy part (for a change). For each color, I chose delicas, 11/0s rounds, 15/0 rounds, 8/0 rounds, 6/0 rounds, 4mm cubes, 11/0 triangles, Czech firepolish beads, and more.

This is the template I drew up for my neckpiece - showing the size, shape, and color placement I envisioned, as well as the center placement for my orange ceramic triangle bead:
Paper template
Template detail

Everything I have ever read about freeform recommends putting your chosen seed beads into a bead soup, so that you truly choose them randomly for the design. I actually balked at this for 3 days, because I don't like my beads all mixed together! But I finally did it, and then laid out my beads in the way I saw them going into the design:



But then the trouble started.  I have made several freeform peyote bracelets, but never a necklace. When I make freeform peyote bracelets, I start stitching at one end of the bracelet, and finish at the other end; meaning, my stitching goes back and forth across the width of the bracelet, not the length (I hope that makes sense).

Everything I had read about freeform peyote tells you to stitch the other way - across the length of the design, adding width as you go. So, even though my brain was screaming that this would never work, I decided to try it this way, and strung up all the beads I thought I would need for the base row around the neckline. Laying all the beads out in piles like this on the template was to help me know when to pick up a new color - since the template was actual size, I could see that I would pick up about an inch of orange, and inch and a half of blue, etc. These beady piles would keep my stitching on track, and my colors in the right place. Allegedly.

I could get a few rows stitched, but just could NOT figure out how to increase the length of the work symmetrically so that it would grow from 17 inches long (the inside length) to 24 inches long (the outside length). So after several days of trying (and many yards of Fireline wasted) I finally decided to do it MY way. (the pic above actually shows one of my attempts to stitch across the length of the necklace)


So, now that I would be stitching along the width of the piece, color by color, I could put away all the beads except for the color I was stitching. Whew! I can't tell you how many times I bumped this set-up, sending all the beads spreading out into other sections, requiring much wasted time, re-sorting the seed beads. Plus, it was horribly time consuming to pick up and take home with me, or to try to work around if I had to stop working on this to do something else. I dumped each pile into its own little bowl, and breathed a sigh of relief!

Then I discovered that I just canNOT stitch from bead soup - I absolutely needed to know whether I was picking up a delica, a 6/0, or whatever - it makes a huge difference! Certain spaces will allow for one size bead, whereas other spaces need another size or shape. So I had to sort all my bead soups before I could stitch. For some of the colors, I had chosen 5 or 6 different colors of delicas, and these I didn't sort further: it was the size and shape of the bead that mattered, not the color. But when I'm finally done, I can't wait to sort them ALL and get them back in their rightful containers. Bead soup bugs me!

Finally, by November 10, I had the ends stitched. (I had spent many sleepless hours pondering the design and creation of this neckpiece, and realized that if I wanted symmetry, it made the most sense to stitch the piece, simultaneously, in 2 halves, and then join them in the middle.) Here is my progress on November 10:


As I said earlier, I had chosen a lot of beads for this necklace, and my plan was to incorporate the bigger "focal" beads into my work as I stitched. But after working these 2 gorgeous copper-colored freshwater coin pearls into my ends, which required much tedious increasing and decreasing, I abandoned that plan, deciding that I would just go back and embellish the whole necklace when I finished the peyote. Y'all know how I love to embellish! I wanted to abandon the plan after I added the FIRST copper pearl, because it was such a pain in the ass to add, but I wanted my 2 sides to match!

November 14:
The pieces have grown from 3/4" wide, to about 1-1/4" wide. They don't quite match, but close enough. They desperately want to increase, and just get wider and wider, so I have to keep reining this in by doing some compensatory decreasing.

The photo above is the one that I photoshopped for my November 14 blog post:

November 16:
I used my paper template constantly, making sure the pieces I was stitching stayed on track. The blue section on the right (above) got a little off track - I decreased a little bit too much, so it is slightly narrower than the template. But I decided to live with it (I desperately wanted to rip out the stitches and correct it!)

November 20:
The blue sections are done, and I'm moving on to the purple. The sections are taking a little longer to stitch - they are wider, and longer, but I still think I'm making good progress.

December 7:
3 weeks have passed. It is taking way longer to stitch these pieces - one row is taking almost 30 minutes! Crazy! The outer edges of the neckpiece are now so much longer than the inner, that I have to add many beads (increase) as I stitch towards the edges. I developed what I call an "island swirl" technique to add these sections of increase, and sometimes these little islands of peyote that I add take the stitching a little beyond the edge of the template. But a little bit over the edge I can tolerate. Unfortunately, the pic above shows a swirl that just got too far beyond the edge for me (blue arrow), so I slept on it, and decided to take out this section. Spent 2 days undoing it. Oops. Setback.

At this point, I took a break from working on the neckpiece body to attach the clasp, because the clasp plays such a role in determining the final length and fit of a piece. I had allotted about 1.5" for the clasp when I drew the template, with no thought to what clasp I would ultimately use. I found a Swarovski Cosmic Square that matched perfectly, and used square stitch to attach it to one end, and stitched a peyote toggle bar for the other side:



December 14:
The purple section on the right is finished, and I'm working on the left-sided (as you look at the pic) purple.

December 19:

The purple sections are done, and I'm transitioning into the orange. This pic above actually shows some of  my island swirls for increasing; here is a close-up:
I lay the stitching on the template, and note where the outer edges need to be wider than the inner edge. Then I string enough beads to outline this area that needs to be increased, and bring that strung loop of beads around to the piece and attach it. I just start filling in the inside of the loop until it's full. Then I weave the thread out to the leading edge of the piece again, and resume regular peyote.

It's taking so long to stitch each section now (the edges are now about 4 inches wide) that I'm starting to despair about the deadline. I decide the project must come home with me on the weekends (especially since the next 2 weekends are long holiday weekends!)

December 29:
I have been stitching everyday (!) and have just now finished the transition zones between the purple and orange. Now I'm scared about finishing by January 14.

Here is where the beads will go:
Here is what I'm thinking: The orange section is actually smaller than either of the purples, and there's only one of them. Plus, the donut and the triangle take up a lot of space - so less peyote! Well dang, I'm almost done. I'm thinking.

But see where the inner purple/orange edges of the neckpiece (above pic) have deviated off the template, and into the area occupied by, oh, say.... a human neck? That's gonna be a problem! (When I finally notice it - I didn't notice it for the first few days of stitching on the orange section)

I started stitching the orange section, and after I had stitched about 1/2 inch onto each side, I "tried it on", thinking I was ready to start connecting the beads. But for some reason (e.g. those edges I mentioned in the last paragraph), I still have a lot of stitching to do before I can even think about attaching the focal beads.

January 8 (6 stitching days until the reveal!):

Sonya came by to visit, and I hid my work from her, but held up the ceramic triangle, to show her I hadn't even worked it into my piece yet (!) - I'm pretty sure she was horrified. As was I. This was beginning to look like it would never be finished!
Late that afternoon, the edges were finally close enough to attach the sponge coral donut! Tomorrow, the triangle! {this pic show the challenges of increasing in this piece - note how the purple/orange transition section is only 3/8 of an inch wide along the inner edge, but 3 inches wide at the outer edge - huge difference! All that difference was created with my "island swirl" increases.}

Can you tell how much wider the front orange section is, from what was allotted for it on the original template? - Yikes!

January 9:
The triangle is hanging by a thread (or two) - but it's attached!

Increasing around the triangle:
I wanted to create a peyote "frame" around the triangle - the beads would follow the shape of the triangle bead, but not touch it. Nailed it!

January 10:
Wow! I finally completed the "base" stitching - the front is way wider than I planned, but that's OK. Tomorrow: embellishing.

I guess I should know by now, everything takes longer than I plan on.

I started the embellishing on January 11. I couldn't start working on the embellishing until mid-afternoon, because Sonya spent the morning with me at the bead shop. Had to keep my project under wraps, don't you know.

Stitched for 4 hours that afternoon, all day Saturday, all day yesterday, and 2 hours this morning. By last night, I had accepted that I wouldn't be done by today's reveal, because I stitched for 10 full hours yesterday, and only got ONE purple section embellished. Ridiculous! And I still have the whole orange section plus the other purple one to go!

So, I'm almost done - probably 3 more days of finish work to go. I'll show the finished necklace when it is.... finished.

The embellishment is fun, but tedious. Partly because of deciding where each embellishment will go (requires thinking and planning!), and largely because the dang thread gets caught on every single piece of this neckpiece that it could possibly get snagged on, and I spent many, many minutes untangling it.

The embellishment is adding some beautiful texture, interest, and sparkle to the peyote "plainness" that I see when I looked at the piece on  January 10. It's a little hard to see the actual embellishment in the pics (it just blends into the piece perfectly), but if you compare before and afters, there's no question that there has been a change.

Embellished side:

In the pic below, the blue section is embellished, but not the purple:

Unembellished front section:

On a mannequin:
You can see the embellished purple section on the left, and the plain one on the right.

And here is the neckpiece, flat, again:
Wow - that was a long post. Back to stitching now!

Thanks for reading along! Now head on over to Sonya's blog to see what she's done with her orange ceramic triangle!

Friday, December 14, 2012

Head-to-Head Challenge Update

It's that time again: time to show my progress on the Head-to-Head Challenge Sonya and I are participating in. Except that I can't actually show my progress, because Sonya and I want to be surprised by what each other makes.

Which makes this update kind of silly. Whose idea was this updating nonsense, anyway? (Answer: MINE). Made sense at the time!

I'm going to show an itty bitty piece of my challenge WIP (work in progress), anyway (and none of my fancy photoshopping skills, either!)

You may recall that this is the ceramic bead we are designing our freeform pieces around:


This week, I made the decision to go ahead and design and attach the clasp to the piece, because the type and size of the clasp helps determine the finished length - sometimes I use clasps that can add 2 inches or more to the finished length of a piece! And I did NOT want my piece to end up being too long, so why not go ahead and design a clasp in the middle of the creative process? Why save it 'til last?

Here is what I came up with:
I chose a Swarovski crystal Cosmic Square in Red Magma, which perfectly matches the orange ceramic bead. I attached it using a square stitch "bail," for lack of a better word, and then stitched a matching bar using the same galvanized orange delicas.

Stay tuned - our big reveal is January 14!

And click over to Sonya's blog to see her progress!

Wednesday, November 21, 2012

Wednesday Worktable

My freeform beading for the Head-to-Head Challenge is what's on my worktable. It's been there for a couple of weeks, and will be there for many more - It progresses at a seemingly glacial pace - I stitch for 7 or 8 hours, and that equals less than 1 inch of finished piece. Still a long way to go! But I love it.

I truly, truly love it - the beads take on a life of their own, and just go wherever they want. Sometimes that's not good, and I have to do some finagling to make the project veer back towards a wearable shape. But it is really fun!

Sonya and I both want to be surprised by what each other makes for the challenge, so this will probably be my last Wednesday Worktable post for a few weeks. The last post was photoshopped to disguise my work (to protect the innocent?) - and so is this pic, showing my progress as of this morning:

I'm having so much fun playing with the distortion effects in photoshop that I'm taking away from my beading!

This project is so much fun that I would like to take it home for the long holiday weekend, where I have so much uninterrupted quiet time facing me that I might, MIGHT even be able to finish it. But 2 things are stopping me:

1) transporting all the various color-sorted bead soups that I have set-up for the stitching, in their plastic cups with NO LIDS, is problematic. Especially the way I tend to drive: one slamming on of brakes, and their would be beads every-damn-where. No thanks.

2) I am going to run out of the particular Fireline I am using sometime after lunch today, if my stitching schedule holds. I am using 4 lb Fireline for this, which I have to special order (I normally use 6lb). I bought a 30yd spool back when I started the challenge, and I cannot believe it is almost all gone. Part of it was sacrificed to the 2 false starts I got off to - it was too time-consuming to take apart the stitching bead by bead, preserving the Fireline, so I just cut it up and gathered the beads. If I had known how much thread this project would eat, I might not have been so hasty! Now I am waiting for the UPS lady to bring me my new order of Fireline, but it will probably arrive either this Friday (when the shop is closed) or next Monday. So no stitching for me this Holiday weekend!

I'll get back to publishing regular Wednesday Worktable posts once I have a new project on my worktable.

Happy Wednesday!

Wednesday, November 14, 2012

Head to Head Challenge, Update

Last month I entered into a Head to Head Freeform Beading challenge with my friend Sonya. Today is the day we designated for posting an update, showing our progress.

Yesterday, Sonya and I got to have a (way too brief!) visit, and we talked about this update stuff - we are both a little conflicted about what to reveal, because we both want to be surprised by what the other makes!

Here is the bead that is inspiring our beadwork (some of which must be freeform):




I have drawn up my design on paper and chosen my beads, and I've actually been stitching away for about 5 days (with a couple of false starts thrown in, where I ended up ripping out hours of stitching because it was heading in the wrong direction!). I have been really lucky with timing, in that both times Sonya snuck into the bead shop for a visit, I JUST managed to throw a bead mat over my work and hide it from her. HA!

Here is a fancy distorted photoshopped image of what I have stitched so far:




Come back on December 14 for more fancy Photoshoppery; our big reveal will be January 14!

Don't forget to check out Sonya's Head to Head update!

Sunday, October 14, 2012

Head-to-Head Challenge



My friend Sonya (SAS Jewelry Designs) and I have decided to try a Head-to-Head Challenge - here's how it works:
  • each participant must incorporate one (or more) matching components into the finished piece
  • the finished piece must contain an element of freeform beadweaving
  • participants will blog at the beginning of the challenge, showing the chosen matching element(s)
  • monthly progress reports will be blogged
  • The finished piece will be revealed on our blogs at the 3 month deadline
Sonya is the Queen of blog challenges, and has a slew of them on her calendar right now, so I'm glad she was willing to take on one more!

Since she and I are the only players this round, we worked together to pick a component for the challenge that we were both excited about working with:
It's a  speckled ceramic red triangle, in a beautiful, autumnal, deep orangy-red. Love it!

And... that pic makes it look huge, so I took another one:

That's a little better.

After years of working for corporations, constantly under the gun with deliverables and other deadlines, I am not so big on deadlines anymore, which is one reason I don't enter many challenges (the other reason being, I am not big on rules, either - preferring to create organically, letting the materials guide the process) - this challenge suits me to a T. The deadline is a long way away, and I can work on this when the mood strikes! Plus, I get to do freeform weaving, my favorite (no rules!) - but can also add any other design elements/techniques I choose. Freeform really needs to happen organically, so I'm glad I have a long time to let this project develop.

I love freeform weaving, and have been wanting to start a freeform piece for over a year - This is just the kick in the butt I needed! Freeform is so liberating - you don't have to think outside the box, because there IS no box!

The deadline for this Head-to-Head challenge is January 14, and Sonya and I will be posting our updates on Nov. 14 and Dec. 14.