Multistrand Pearl and Gemstone Bracelet

This multistrand bracelet was made to go with the multistrand pearl and gemstone kumihimo necklace I showed you yesterday.

It contains the same green and white freshwater pearls (such great irridescence and texture!), dumortierite, kyanite, and Swarovski crystals, and closes with a sterling silver lobster claw and extender chain, so that the length is adjustable.

Available on Etsy!

Kumihimo Necklace with Japanese triangles

Furthering my adventures in kumihimo, I wanted to try another interesting bead shape - the Japanese triangle, size 11. (Remember the lentils? - that gorgeous necklace is still available on Etsy!)

kumihimo rope with 11/0 Japanese triangles

This necklace started out to be a simple kumihimo rope, with that gorgeous teardrop lampwork pendant as the focal. But that plan got derailed rather quickly.

Stringing the 11/0 triangles was no easy feat, but nothing compared to the braiding. When I do kumihimo, I like a lot of tension on the braid, so in addition to the weight I suspend from the bottom of the braid, I also grip the braid tightly between the 4th and 5th fingers of my left hand (the thumb and other 2 fingers are holding the disc) - and squeezing the sharp triangle braid as it lengthened was pretty painful on my tender little fingers!

So after about 4 inches of it was braided, I realized I needed a plan B. I attached the focal pendant, braided an equal length of kumihimo on the other side, and capped the braid on both ends. And put on my thinking cap.

The blues in the focal and kumihimo braid go so well with green, and of course, with white pearls, that I fell back on that color combo, and strung a multistrand necklace with green and white freshwater pearls, kyanite, dumortierite, and Swarovski pearls. I had a beautiful sterling silver branch and leaf box clasp that deserved to be showcased in the front of a necklace, so I put the closure in front, and added some dangles. I love how this piece turned out - it is much more interesting than if I had gone with plan A!

multistand pearl, gemstone, and Kumihimo necklace

And, it's available on Etsy!

Wednesday Worktable

I still have the ubiquitous zombie iolite fringe necklace on my workbench this morning.

It suffered a little setback last week, when I passed the halfway point and started fringing up the other side - I had worried about this, because I knew that the 2 halves needed to match, and I thought I was measuring and compensating for the decrease, but after I powered through 4 inches of fringing on Friday, it was time to change thread. I held the necklace up, and the entire 4 inches I had just finished was too long, and it was obvious. So I spent Saturday taking out the 4 inches, and I started this section again yesterday.

So I will be working on the fringe today, but...

I'll have to take a little break to work on this:

This is a repair - the customer brought in a very old garnet necklace (these are 4mm garnet rounds). It had been woven, in some variation of netting, on silk thread. The silk was filthy, and had stretched out over 2 inches - so repair was definitely called for.
I didn't want to attempt to re-weave it, so we decided to turn it into a multistrand twisted torsade, which she  is very excited about.

It took several days to string all these garnets - it was slow and tedious, so I'd work for a few hours and then go on to something else. I started to dread stringing the garnets! My friend Sonya actually finished the last of it for me - yay!

I delayed finishing the necklace because I am teaching a class in multistrand finishing this afternoon, and it is SO much easier to teach a stringing class when you actually have a project to demo on! So I saved this project for class this afternoon - I'll have 5 strands to demonstrate with, so I hope that suffices!

Amethyst and Pearl Multistrand Necklace: Hot off the Worktable!

The fruits of this week's labor, started Tuesday afternoon.

I have steadily worked on this one all week, and just finished it about 30 minutes ago. I got it photographed, and listed on Etsy, too!

In addition to the beadwoven endpieces, created from Jet AB2x cubes, there are graduated strands of gemstone chips (in amethyst, ametrine, citrine, and quartz), several large dark amethyst nuggets, and gold freshwater pearls. I used a Swarovski cosmic ring for the toggle closure (with a beadwoven toggle bar). Sari ribbon finishes off the back of the necklace.

Flight of the Dragonfly

I switched things up a little; I actually started AND finished a jewelry design without letting myself get distracted by other projects.

This is "Flight of the Dragonfly."

Its working title was "Kitchen Sink", because I started off by laying out on my workbench all the various components I wanted to incorporate: beautiful etched lampwork beads, some green fire agate, the porcelain dragonfly component, brown freshwater pearls, Czech glass accents, some bronze metal disc beads, Swarovski crystals, and lots of Vintaj Natural Brass components, including chain, wire, leaves, dragonflies (or butterflies - I can't tell), bead caps, and rings. Everything but the kitchen sink, it seemed!

By the time I had gathered everything and carefully laid it out, I couldn't see my work surface anymore, and had to shove everything a lot closer together in order to have about 8 square inches to work!

There is so much going on in this necklace, and I just love how it turned out!

2 very different elements converged to inspire this piece.

One was this beautiful porcelain Dragonfly focal connector. I had bought it several weeks ago, and it was actually for sale in the shop (my B&M bead shop), but I guess it was burned into my subconscious.

I told you a couple of weeks ago about my foray into alcohol inks.

I have played around with a lot of colors, and designs, and different spins on the technique, and we actually dedicated an entire studio day to seeing how many different ways we could use alcohol inks, embossing powder, and paints on various metals.

Shortly after that studio day, I walked past the display where the dragonfly focal was, and picked it up, and started grabbing various leaf and dragonfly Vintaj pieces, and began playing with the techniques to color my metal components. I didn't want them all to look the same, so there are actually 4 different coloration techniques demonstrated here.



And it never occurred to me that it would take a mighty big necklace to work all these components together!

I just started walking around the shop with the porcelain dragonfly and my colored metal components, and began grabbing things here and there that went together, and soon I had an awful lot of stuff to put together!

It didn't take long for me to realize that I needed a matching jumprings, in several different sizes, in order to make this all work, so I wound coils of Vintaj Natural Brass wire, in 5 different sizes, and 2 different gauges, and then cut and tumbled them.

This picture shows what I called "phase I." It has the porcelain dragonfly focal, one of the lampwork beads, and a few of the colored Vintaj components. There is a Vintaj ring (to the left of the focal in this pic) that I embellished with a picot stitch. Everything is connected with chain, jumprings, and some artful wire-wrapping that serves both as a structural component and a design element.

The porcelain dragonfly focal bead had 3 holes, and I love the chain tassel I created (with the little dragonfly flitting by!)

It was at this point that I realized this was going to be more than a one strand necklace. I had only used a few of the specially-colored Vintaj elements that I specifically created for this piece. And only one of the lampwork beads! And none of the unusual green fire agate. And by gosh, I was going to use everything I had picked out!!

After all, my motto is More is More! I am the queen of embellishing!




And all this time realizing that my components and wire-wrapping couldn't extend up around my neck, or I wouldn't be able to wear my own design.

Here is "Phase II."

I have added another of the lampwork beads, and another of my green Vintaj leaves. And in order to balance the second strand, I worked in some more of my luscious bronze metal discs, and needed a 3rd focal element for the other side of the second strand, so I got up and searched for yet another element to add to this necklace! I found an abalone donut with the perfect colors, so I borrowed a page from Denise Peck's brand new book on Wire Findings, and used Vintaj Wire to wrap the abalone donut and incorporated it into the second strand.
I still had components I wanted to add, and I wanted to soften all the wire and metal elements, and in my mind I saw a 3rd strand, softly nestled between the 2 strands here, consisting of off-white freshwater pearls, small teal seed beads, and delicate Vintaj Natural Brass chain, all twisted together.

And I couldn't do any more embellishing to the top strand until I had that middle strand in place.

This might have been the point where I realized I had lost my mind, or should have stepped back for a reality check. Danger, Will Robinson!!

I strung the seed beads, one at a time.

I strung the off-white button pearls, one at a time.

I sat there, twisting them with the Vintaj chain, trying to figure out how to attach this torsade element without using another bulky component (e.g. a cone), but none of the beadcaps I had were large enough to cover the crimps. So I ultimately ran the pin holding the crimped seed beads, pearls, and the chain up through a cone, and attached it to one side of the necklace. And the 3 strands hung there on the bust (the seed bead strand and the pearl strand clamped of with Bead Stoppers) while I tried to figure out how to calculate the correct length, twisted, to get this strand into position. I didn't want to be stringing and restringing, crimping and recrimping, and repeatedly re-wrapping the headpin on the other side. I just wanted to do this once!

And then it sat there on my workbench for 2 full days while I played with it, held it up, tried it on, and procrastinated. I was so determined to attach this middle strand just once. (LOL)

I knew I just needed to go for it - make my best calculated guess at the length, and if it was wrong, it was wrong. I pulled the crimps through the wrapped loop on the other headpin, and hung the chain on the pin; ran the headpin through the cone; tried it on while holding the headpin/cone in position, and it looked great.
So I crimped everything, wrapped the loop, and tried it on, crossing my fingers. Because I really didn't want to do this part over.

Too bad I forgot to calculate for the length of my wrapped loop where the 2nd cone attached to the necklace. Because sure enough, the twisted 3rd strand was exactly 2mm too long. Just the length of my wrapped loop! The middle strand just didn't hang exactly in the middle between strands one and three. While it wasn't touching the 3rd strand, it was hanging just low enough to bug me. And if Momma ain't happy, she won't be wearing the necklace.

I pouted for about 15 minutes, and then cut the offending wrapped loop.

I tried to salvage my stringing efforts by carefully cutting the crimps, hoping to avoid having to restring the pearls and seed beads. HA! I spent an hour trying to avoid the restring, and ultimately couldn't get the crimps off. I actually shredded the beading wire trying to remove the crimps. So I started all over, and got it right the 2nd time. Yay!

I began embellishing again, hanging dangles here and there. I managed to include all my desired elements and while it looks a little crowded on the bust, remember that it hangs differently on any real person, as the bust's neck measures only about 12 inches. So when worn, the 3 strands and all the various elements spread out nicely and evenly.

Ta Da!