A Trip to the Gem and Mineral Show

The Augusta Gem and Mineral Society is hosting their annual Gem and Mineral Show this weekend, and I closed the bead shop yesterday so I could scoot downtown and scope out the goodies!

Ostensibly, I was going so I could find some unusual things to offer for sale at the shop. Truthfully, I knew I was going because I love to look at all the fossils and gemstone specimens. Just looking, mind you - I would never buy any ..... says the woman with cabinet after cabinet after cabinet of fossil and gemstones in her home!

The good news: I found a few cabochons and other focals for the shop (and for my own silversmithing).
The bad news: I was behind 4 school buses as I approached the venue, and since it was 10AM, I had a sneaking suspicion where they were headed. Sure enough, they pulled in right in front of me, and discharged some 425+ school kids for a field trip to the Gem and Mineral Show. Ugh.

It was loud, and super-crowded in there, and very hard to get to the tables and displays. The headache that I already had soon blossomed into a Super Headache.

But I saw so many gorgeous rock and gemstone specimens. I wish I had had my camera with me (I purposely didn't take it, because I wanted my hands free for touching!) I saw many unusual specimens that up until yesterday, I had only seen on my Pinterest Gem and Mineral Board!

Here are some of the rocks that followed me home:

A fossil trilobite (in matrix);

Trilobite - Andalusia. Devonian Age, Morocco

 I think the back is almost as pretty as the front!

What you can't tell from these pics is that this specimen is 12 inches wide - it is basically the size of a small serving platter. I love it!


Citrine:

Citrine in matrix - unbelievable golden color!

This side view of the citrine specimen shows the crystal morphology and growth pattern.
This citrine was another large specimen - about 9 inches across. Absolutely stunning.

A gorgeous amethyst geode, 10 inches tall:

 amethyst geode

And as if this geode weren't lovely enough, all on its sparkly own,  if you look closely at the above pic, you can see some dark brown circles coming around either side - these are what make this piece special to me:

These brown circles represent an orbicular agate, growing alongside the amethyst (or, one is replacing the other - I don't know. Doesn't matter - they are together in this pretty specimen!) In this particular picture, there are some brown crystals visible mixed in with the amethyst; these are probably smoky quartz.

Elestial quartz:

Elestial quartz - mixture of clear and smoky quartz

This is a new one for me - never heard of it! The lady who owned the booth filled me in on its metaphysical properties (I just picked it out because it was pretty!) - I Googled it, and learned that elestial quartz consists of multilayered or etched quartz crystals with many small terminated crystal formations all over it; the most common elestials are smoky quartz, clear quartz, and citrine. Amethyst elestials are rare and ametrine elestials even more rare. Mine is a mixture of clear and smoky quartz.

This stunning opalized ammonite:

 Opalized ammonite, with brilliant gold, orange, and green fire.

Can you see the incredible fossilized leaves in this specimen? - I took a more detailed shot, just in case - this was breathtaking, to me.

Look at the fossilized leaves in this ammonite, and the flashes of opal fire!

Fossilized sand dollar; whole, intact clam; and sea urchin:

fossil sand dollar, clam, and sea urchin

Some quartz points (which didn't photograph well) and aqua aura points for wire wrapping:

aqua aura points and quartz points

More ammonites (sorry - the pic is over-exposed) - for wire wrapping, bezel setting, bead weaving, etc.:

ammonites

Some colorful dyed agate slices (I can think of so many cool ways to use these!):

 Dyed agate slices

They may not look too impressive in this photo, but look what happens when I hold them up to the light:

I love how you see the delicate veins in this blue one!

I love the colorful blue ruffles on the edge of this one!

Last, but not least, the cabs:

clockwise from top left: turquoise, sodalite, charoite, charoite, larimar

clockwise from top center: banded agate/quartz geode, rainforest jasper, magnesite, chrysoprase, rainforest jasper, and chrysocolla (center)

top row: dalmatian jasper; middle row: lapis; bottom: opals

I really scored, right?!

If I had an unlimited budget, I would pretty much have a house full of rocks - I have no idea where I am going to put these new ones!!

Multistrand Pearl and Gemstone Bracelet

This multistrand bracelet was made to go with the multistrand pearl and gemstone kumihimo necklace I showed you yesterday.

It contains the same green and white freshwater pearls (such great irridescence and texture!), dumortierite, kyanite, and Swarovski crystals, and closes with a sterling silver lobster claw and extender chain, so that the length is adjustable.

Available on Etsy!

BSBP Deconstructed: Kumihimo Lariat

For those of you looking for my BSBP reveal post, it is here; I hope you'll click and look at the whole reveal! (one post down).

THIS post is the first in a series of posts giving the gory details on my BSBP journey. Thanks for visiting, and if you like design minutiae, this is the post for you!

The first piece I made for my recent BSBP (Bead Soup Blog Party) reveal was the kumihimo lariat, using semiprecious gemstone chips.

When I first opened my generous bead soup, I saw so many delightful elements, but knew I wanted to work with the "wing." toggle.

I was drawn to the wing toggle on the right

I wanted it to be front and center, so I turned my thoughts to deciding what I could create with a front closure. I love lariats, so I looked to the box of treasures I had received from my partner, Kate, and latched onto the semiprecious gemstone chips - and decided I would try to make a kumihimo lariat with them. I envision a long mulitcolored gemstone kumihimo braid, with the wing on one end and the toggle ring on the other - when worn, the wing would drop through the toggle ring and hang down.

I knew I would need to sort the chips by color, because I am far to anal to have them all randomly mixed up in my kumihimo. I separated them into 4 piles by color, and soon discovered that I didn't have nearly enough chips to make a kumihimo lariat, because kumihimo eats up a lot of beads! So I went digging in my stash, came up with more chips, (and I had to make an emergency run to Michael's to supplement my own meager chip stash!) Kate's gemstone chip strand consisted of amethyst, aquamarine, citrine, and peridot. Michael's didn't have any aquamarine chips, but they had blue topaz, which was very close, and once I had combined the aquamarine and the topaz, it was impossible to tell which was which.

I wanted to make a clear boundary between each separate gemstone in the kumihimo, so I enameled some large-hole beads to match the gemstones:

For those of you that are into enameling, these are the colors I used:

For the amethyst gemstone chips, Iris Purple enamel was a perfect match.
For the citrine, I blended  a base coat of pumpkin, followed by 2 coats of nut, then 2 coats of egg yellow.
For the peridot, I blended 2 coats of egg yellow on top of 2 coats of spruce green.
For the aquamarine/topaz chip mix, I used 1 coats of transparent turquoise on top of 2 coats of transparent aqua.

I got off to a lot (a LOT) of false starts on this project. Finding a stringing material that was long enough for the lariat, and thin enough to go through the chips, was a challenge. I finally settled on size 4 Griffin silk cord. It already has a needle attached, so it didn't have to be doubled to do the stringing, and it's fairly strong. I tested it on a few random chips, and it was a good fit, going through without too much difficulty.

The amethyst was my favorite of these 4 gemstones, so I decided it would be the beginning and end segment of the lariat. I started stringing the chips (tedium!) - and it took a couple of days to get all 8 warps strung, with the chips counted equally on each one. Plus, I was guessing how many chips to use in each color segment, because I couldn't find anything published about the number of chips per inch for kumihimo. And I wanted the different segments to vary in length a little, just to be a little bit random.

I placed the warps on the kumihimo disc, braided the first amethyst segment, and got ready to add my first enameled bead. I had chosen large hole beads, thinking that I would braid a little bit of silk cord without any beads to end the segment, and then cover this with the bead, and then start braiding the next color. I knew I would have to add the bead very carefully, so as to not disturb the braiding pattern. But I had neglected to think this through very well - there was absolutely no way those strung warps of chips was going to pass through the hole in the enameled bead. Duh!

So I had to unstring all the unbraided chips. Very sad face!

I added the first enameled bead, restrung JUST the chips for the next segment, and completed that segment, added a bead, and moved on to the next segment. Soon, the third segment was done, and it was time for the peridot. These chips were about half the size of the others, with, (duh!) much smaller holes. And I hadn't tested the silk cord on the peridot. For awhile, I was afraid I would be starting all over again, switching to #2 silk cord, but I eventually discovered that some of the peridot would go over the needle if forced (and some wouldn't - oops!), and by going back to Michael's and buying even more peridot chips, I finally had enough chips with large enough holes to complete the lariat. Yay!

I think I took the kumihimo apart a total of 7 times before it was done - the last time, because my plan had been for it to be twice as long as it actually is. I wanted it to drape around the neck twice. I figured I was ingenious enough to figure out how to add another piece of silk cord to each warp, covering the knots up with those large-hole enameled beads, because the 2 meters of silk I started with wasn't long enough for the 60 inch lariat I envisioned. I knew I would have to add cord. I kept braiding until I ran out of cord, at about 45, 46 inches of lariat. With considerable trepidation, I carefully added the next length of silk, tying knots, using glue, etc - then let the glue dry over night. The next day, I cut the ends close to the knots, and began the process of feeding the next enameled bead (the all-important knot-covering bead!) onto the lariat. I got it over 2 strands, then over the 3rd, and then discovered that there was no way that even this large-holed bead would fit over the jumbled, glued mass that was my 8-warp knot. So I started manipulating the glued knot with my pliers, squeezing it, trying to make it smaller, breaking off little hunks of glue, pulling the strands, pushing the bead, and after about 20 minutes, when I was trying to get the very last strand inside the bead, the knot gave way, and the newly added strand came flying up into my hand. Oops. Insert bad word of your choice HERE.

So, plan B. Or, plan E, or F - I've lost count. I decided the lariat would no longer wrap around the neck twice! I cut off a lot of the already braided kumihimo, arriving at the final length I now have.

At this point, I felt like the silver colored wing toggle was too much contrast for my rich, jewel tone lariat, so decided to patina it to match the amethyst. Details of the patina process are here. However, one last little change in plans - the toggle ring that went with the wing wasn't wide enough to accommodate the amethyst sections of the lariat (which were slightly wider than the citrine and topaz/aquamarine, and a lot wider than the peridot.) So I switched rings with the other toggle Kate sent me:

I think the wing goes nicely with the scrollwork on this toggle ring.

I also enameled a couple of filigree cones with the iris purple.

So there is the saga of the gemstone chip kumihimo lariat - it actually took a couple of weeks from start to finish, what with all the false starts and do-overs along the way.

kumihimo braid detail

this picture shows the disparity in diameter caused by the sizes of the different chips

the wing that started it all!

Stay tuned - I'll deconstruct another BSBP project tomorrow!

Some of my favorite beads, Part 2

Here are more of my favorite beads, along with their native rough:

Citrine

citrine beads

citrine rough

Rhyolite

rhyolite beads

rhyolite rough

Ruby in Zoisite

ruby in zoisite beads

ruby in zoisite rough

I hope you enjoyed seeing these beads and beautiful gemstone specimens.

Some of my favorite beads, part 1

I love gemstone rough (the form in which the gemstones are found in nature) - I thought I'd share a few of my favorite beads, along with pics of their rough:

Aventurine:

aventurine beads

aventurine rough

Fire agate:

fire agate focal bead

fire agate rough

Kyanite:

kyanite beads

kyanite rough

Hope you enjoy! I'll be back tomorrow with Part 2 of my Favorite Beads.

Metaphysics and Gemstones - Happiness

This is Part 4 in a series of posts about the metaphysical properties of gemstones.

Part 1 was dedicated to creativity and artistic expression, and also gave a brief background on metaphysics. Part 1 also described how to incorporate gemstones and crystals into your lifestyle in order to benefit from their purported healing benefits.

Part 2 covered focus and concentration.

Part 3 focused on patience.

Today I'll cover those gemstones believed to help increase happiness. Need more happiness in your life (who doesn't?) - these gemstones may be for you!

Please note: This information is provided for entertainment purposes only, and should not be construed as diagnosis, prescription, or healthcare information, directives, recommendation, or advice. Please see a licensed healthcare provider for advice and recommendations regarding specific injuries or illnesses.

You may have noticed by now that I am obsessed with raw gemstones - I love how beautiful these minerals are in their natural state, and I actually have a huge personal collection of them. I am enjoying the research I am doing for this series, partly because I get to look at hundreds of pictures of gorgeous rocks! And that is why I am showing so many pictures with these posts - it pleases me!

Many, many gemstones are believed to help with happiness, so if you're looking to try the metaphysical route, you have a lot of options!

Since several of these gemstones have been featured in a previous post, I'll just link to that post, rather than repeating the pics again!

Gemstones believed to help those seeking happiness include:

Smoky Quartz

Blue Lace Agate

Rose Quartz

Amazonite

Other gemstones associated with happiness, but not readily available to jewelry designers, include pyrite, Herkimer diamond, and this beauty, which I just have to show you:

Euclase

 I never heard of Euclase until I started researching this post, but isn't it incredible?

These gemstones, which we've previously covered, are also linked to happiness: amethyst, chrysoprase, aventurine, and carnelian.

That's it for happy stones - anyone out there have a trait or illness they'd like me to cover in my next post - this is fun!