Freeform Netted Necklace

I finished my freeform netted necklace late yesterday afternoon, and it is now available in my Etsy shop.

freeform netted necklace in citrine and bronze hues

detail - freeform netting

freeform necklace toggle closure

Wanna know a secret?

The necklace pictured above is NOT the WIP in all the previous pics on this blog - for example - this pic:

freeform netting WIP (iteration 1)

If you look really closely, you can spot the differences - here is a cheat sheet, pointing out a few of them:

• the ends of the WIP are wider than the finished necklace ends you see in the 3rd pic above
• the WIP contains a lot more large pieces of citrine (big nuggets) than the finished piece
• the WIP contains faceted hessonite garnet, in a burnt orange color

Here's what happened:

At about the time of my March 14 update post, the ends of WIP had reached the width I was shooting for, so I stitched up the toggle bar you see in the finish piece, and attached it AND the Swarovski Cosmic Ring to the ends, so that I could better gauge the finished length of the necklace.

Then I moved in about 5 inches from each end, and started adding more width and chunkiness/fullness to the center of the necklace, in a graduated fashion - in my mind, I saw a sort of a V-shaped overall silhouette to the necklace, with it being widest at the center front, and coming to sort of a "V" when worn. So I moved back and forth across the center with my stitching, while moving further away from the ends with each pass, so that the necklace width kept growing symmetrically in the front.

I was about 30 minutes away from being finished on March 26, which I mentioned at the bottom of this post. The necklace was about 3 inches wide in the very center, and almost had the "V" I was shooting for. Just a couple of more stitches to add. I was so excited!

And for some reason, I picked the necklace up to survey my results - I think I was looking to make sure my last few stitches got exactly in the center. But something bad happened. Very bad.

I call it "turtling", but simply because I refuse to call it by what it really reminds me of.

You know how when a cockroach dies, it always seems to die on its back?

Well, this freeform necklace I had been stitching for weeks "cockroached" on me when I held it up: the thick, wide, chunky center section turned face down, revealing its un-embellished backside - and I imagined it would look like nothing so much as a sparkly feedbag when worn, lying there underneath the chin, waiting to catch crumbs:

Sorry - In my despair, I didn't get pics of my cockroaching necklace.

I tried several things to stabilize the center, but the necklace now had a life of its own, and wouldn't behave at all. It was too heavy, chunky, and wide, and it just lay there, like a hammock. So after about an hour of fretting, I grabbed some sharp scissors, laid the necklace flat on my bead mat, and cut my way right up the center of it, severing all the strands right up the middle. Then, one at a time, I picked up a severed half, and "milked" all the beads off the severed Fireline and into a tupperware container. And then I started sorting them. And then I started stitching all over again.

So the new necklace's silhouette does not "v" in the center, and you can bet I checked how it was lying frequently while I was stitching!

Flight of the Dragonfly

I switched things up a little; I actually started AND finished a jewelry design without letting myself get distracted by other projects.

This is "Flight of the Dragonfly."

Its working title was "Kitchen Sink", because I started off by laying out on my workbench all the various components I wanted to incorporate: beautiful etched lampwork beads, some green fire agate, the porcelain dragonfly component, brown freshwater pearls, Czech glass accents, some bronze metal disc beads, Swarovski crystals, and lots of Vintaj Natural Brass components, including chain, wire, leaves, dragonflies (or butterflies - I can't tell), bead caps, and rings. Everything but the kitchen sink, it seemed!

By the time I had gathered everything and carefully laid it out, I couldn't see my work surface anymore, and had to shove everything a lot closer together in order to have about 8 square inches to work!

There is so much going on in this necklace, and I just love how it turned out!

2 very different elements converged to inspire this piece.

One was this beautiful porcelain Dragonfly focal connector. I had bought it several weeks ago, and it was actually for sale in the shop (my B&M bead shop), but I guess it was burned into my subconscious.

I told you a couple of weeks ago about my foray into alcohol inks.

I have played around with a lot of colors, and designs, and different spins on the technique, and we actually dedicated an entire studio day to seeing how many different ways we could use alcohol inks, embossing powder, and paints on various metals.

Shortly after that studio day, I walked past the display where the dragonfly focal was, and picked it up, and started grabbing various leaf and dragonfly Vintaj pieces, and began playing with the techniques to color my metal components. I didn't want them all to look the same, so there are actually 4 different coloration techniques demonstrated here.



And it never occurred to me that it would take a mighty big necklace to work all these components together!

I just started walking around the shop with the porcelain dragonfly and my colored metal components, and began grabbing things here and there that went together, and soon I had an awful lot of stuff to put together!

It didn't take long for me to realize that I needed a matching jumprings, in several different sizes, in order to make this all work, so I wound coils of Vintaj Natural Brass wire, in 5 different sizes, and 2 different gauges, and then cut and tumbled them.

This picture shows what I called "phase I." It has the porcelain dragonfly focal, one of the lampwork beads, and a few of the colored Vintaj components. There is a Vintaj ring (to the left of the focal in this pic) that I embellished with a picot stitch. Everything is connected with chain, jumprings, and some artful wire-wrapping that serves both as a structural component and a design element.

The porcelain dragonfly focal bead had 3 holes, and I love the chain tassel I created (with the little dragonfly flitting by!)

It was at this point that I realized this was going to be more than a one strand necklace. I had only used a few of the specially-colored Vintaj elements that I specifically created for this piece. And only one of the lampwork beads! And none of the unusual green fire agate. And by gosh, I was going to use everything I had picked out!!

After all, my motto is More is More! I am the queen of embellishing!




And all this time realizing that my components and wire-wrapping couldn't extend up around my neck, or I wouldn't be able to wear my own design.

Here is "Phase II."

I have added another of the lampwork beads, and another of my green Vintaj leaves. And in order to balance the second strand, I worked in some more of my luscious bronze metal discs, and needed a 3rd focal element for the other side of the second strand, so I got up and searched for yet another element to add to this necklace! I found an abalone donut with the perfect colors, so I borrowed a page from Denise Peck's brand new book on Wire Findings, and used Vintaj Wire to wrap the abalone donut and incorporated it into the second strand.
I still had components I wanted to add, and I wanted to soften all the wire and metal elements, and in my mind I saw a 3rd strand, softly nestled between the 2 strands here, consisting of off-white freshwater pearls, small teal seed beads, and delicate Vintaj Natural Brass chain, all twisted together.

And I couldn't do any more embellishing to the top strand until I had that middle strand in place.

This might have been the point where I realized I had lost my mind, or should have stepped back for a reality check. Danger, Will Robinson!!

I strung the seed beads, one at a time.

I strung the off-white button pearls, one at a time.

I sat there, twisting them with the Vintaj chain, trying to figure out how to attach this torsade element without using another bulky component (e.g. a cone), but none of the beadcaps I had were large enough to cover the crimps. So I ultimately ran the pin holding the crimped seed beads, pearls, and the chain up through a cone, and attached it to one side of the necklace. And the 3 strands hung there on the bust (the seed bead strand and the pearl strand clamped of with Bead Stoppers) while I tried to figure out how to calculate the correct length, twisted, to get this strand into position. I didn't want to be stringing and restringing, crimping and recrimping, and repeatedly re-wrapping the headpin on the other side. I just wanted to do this once!

And then it sat there on my workbench for 2 full days while I played with it, held it up, tried it on, and procrastinated. I was so determined to attach this middle strand just once. (LOL)

I knew I just needed to go for it - make my best calculated guess at the length, and if it was wrong, it was wrong. I pulled the crimps through the wrapped loop on the other headpin, and hung the chain on the pin; ran the headpin through the cone; tried it on while holding the headpin/cone in position, and it looked great.
So I crimped everything, wrapped the loop, and tried it on, crossing my fingers. Because I really didn't want to do this part over.

Too bad I forgot to calculate for the length of my wrapped loop where the 2nd cone attached to the necklace. Because sure enough, the twisted 3rd strand was exactly 2mm too long. Just the length of my wrapped loop! The middle strand just didn't hang exactly in the middle between strands one and three. While it wasn't touching the 3rd strand, it was hanging just low enough to bug me. And if Momma ain't happy, she won't be wearing the necklace.

I pouted for about 15 minutes, and then cut the offending wrapped loop.

I tried to salvage my stringing efforts by carefully cutting the crimps, hoping to avoid having to restring the pearls and seed beads. HA! I spent an hour trying to avoid the restring, and ultimately couldn't get the crimps off. I actually shredded the beading wire trying to remove the crimps. So I started all over, and got it right the 2nd time. Yay!

I began embellishing again, hanging dangles here and there. I managed to include all my desired elements and while it looks a little crowded on the bust, remember that it hangs differently on any real person, as the bust's neck measures only about 12 inches. So when worn, the 3 strands and all the various elements spread out nicely and evenly.

Ta Da!

Jen's Pind Linkage (JPL)

JPL (Jen's Pind Linkage) is one of my favorite chainmaille weaves. It yields such a nice, tight, spiral weave, and in my opinion works well whether done in one color, multiple colors, round rings, square (wire) rings, and more.

In this photo, you can see 3 very different JPLs I have done:

The top chain was made with 16g gold-filled (round) rings, the middle one with 18g bronze rings cut from square wire, and the bottom one is a tricolor chain in 20g rings (copper, gold-filled, and sterling),

This is another photo of the 20g tricolor JPL:



I enjoy working with color so much that I made another 20g tricolor JPL to compliment the chain-bezelled raku cabochon now available in my Etsy shop.

I chose turquoise, blue, and burgundy rings for this chain; they pull out the gorgeous colors in the raku cab.

Here's a guided tour of the creation of the 18g bronze square JPL:

Getting started: big pile of rings, and a clasp.

The weave is established, and now I just have to keep it going until I reach the finished length:

Halfway done!

Finished:

Detail of finished weave:

I believe this square version of the JPL would make a great bracelet for a man - particularly if stepped up to 16g square rings.