My Freeform Peyote Collar is now available on Etsy!

This gorgeous statement collar/neckpiece has been on display in my bead shop for the past few weeks, and I've had a lot of compliments, comments, and questions about it. Some of the more "interesting" remarks include: "Did you glue all those beads on there?" and "I hope you ask at least $100 for that."

So it is now available on Etsy, for slightly more than $100. Enjoy!

Freeform Peyote Collar/Neckpiece

I finished this necklace, finally, at 5:54 PM on Thursday (2 days ago)  - but didn't get a chance to take photos until just now.

Here's a photo of the neckpiece on Bessie Mae, my faithful sidekick mannequin:

I am so incredibly proud of this piece - I just hate that the gorgeous green sections in the back don't show. For that matter, the clasp is so pretty, I wish it was visible, too!

I went through a 3-week or so long period where I wasn't that thrilled with the piece - back before it was connected together, and before the embellishing.

Reminder of how it looked un-embellished:

This is actually the back of the finished necklace, and if you look real hard you'll see a few stray threads showing, because the beads just got so full during the stitching process that they wouldn't accommodate even one more thread pass during the embellishing - but it's the back, and after I cheated that first time and let the Fireline cross over a bead instead of passing through it, it got easier to do it a few more times. It won't show!

The sea of peyote just looks so plain - but I absolutely love the finished, embellished result:

During the embellishing process, I was able to add all the lovely gemstone, pearl, and glass accent beads that I had initially intended to work into the piece as I stitched, but it was too much trouble! I used embroidery techniques to create this deeply textural embellishment, which I envisioned as a series of twisting, turning, vine tendrils, snaking their way across the landscape of the piece.


Some close-ups of the embellished necklace:

 Here is the clasp:

And the clasp on the mannequin:

The necklace is comfortable and fun to wear, and I am pondering what to do with it. I have no where to wear it, and may put it in my Etsy shop. Maybe. Not sure I could actually part with it!


More about the creation of this piece - which was designed and created for my first Head-to-Head Challenge.

Head-to-Head Challenge Reveal!

I have been stitching, and stitching .... and I'm still not finished. But here is my head-to-head challenge piece as of 30 minutes ago:

It's hard to tell from this photo, but the piece isn't fully embellished yet; I'm going to run through a chronology of the creation of this necklace, so if you want the gory details, keep reading!

It all started on October 14, when my friend Sonya and I were sitting around, trying to think of something new to tackle. We thought freeform would be interesting, and we added a slight "twist" by deciding that the finished piece should include this ceramic bead:

I got off to a LOT of false starts.

Picking colors and beads was the easy part (for a change). For each color, I chose delicas, 11/0s rounds, 15/0 rounds, 8/0 rounds, 6/0 rounds, 4mm cubes, 11/0 triangles, Czech firepolish beads, and more.

This is the template I drew up for my neckpiece - showing the size, shape, and color placement I envisioned, as well as the center placement for my orange ceramic triangle bead:

Paper template

Template detail

Everything I have ever read about freeform recommends putting your chosen seed beads into a bead soup, so that you truly choose them randomly for the design. I actually balked at this for 3 days, because I don't like my beads all mixed together! But I finally did it, and then laid out my beads in the way I saw them going into the design:

But then the trouble started.  I have made several freeform peyote bracelets, but never a necklace. When I make freeform peyote bracelets, I start stitching at one end of the bracelet, and finish at the other end; meaning, my stitching goes back and forth across the width of the bracelet, not the length (I hope that makes sense).

Everything I had read about freeform peyote tells you to stitch the other way - across the length of the design, adding width as you go. So, even though my brain was screaming that this would never work, I decided to try it this way, and strung up all the beads I thought I would need for the base row around the neckline. Laying all the beads out in piles like this on the template was to help me know when to pick up a new color - since the template was actual size, I could see that I would pick up about an inch of orange, and inch and a half of blue, etc. These beady piles would keep my stitching on track, and my colors in the right place. Allegedly.

I could get a few rows stitched, but just could NOT figure out how to increase the length of the work symmetrically so that it would grow from 17 inches long (the inside length) to 24 inches long (the outside length). So after several days of trying (and many yards of Fireline wasted) I finally decided to do it MY way. (the pic above actually shows one of my attempts to stitch across the length of the necklace)

So, now that I would be stitching along the width of the piece, color by color, I could put away all the beads except for the color I was stitching. Whew! I can't tell you how many times I bumped this set-up, sending all the beads spreading out into other sections, requiring much wasted time, re-sorting the seed beads. Plus, it was horribly time consuming to pick up and take home with me, or to try to work around if I had to stop working on this to do something else. I dumped each pile into its own little bowl, and breathed a sigh of relief!

Then I discovered that I just canNOT stitch from bead soup - I absolutely needed to know whether I was picking up a delica, a 6/0, or whatever - it makes a huge difference! Certain spaces will allow for one size bead, whereas other spaces need another size or shape. So I had to sort all my bead soups before I could stitch. For some of the colors, I had chosen 5 or 6 different colors of delicas, and these I didn't sort further: it was the size and shape of the bead that mattered, not the color. But when I'm finally done, I can't wait to sort them ALL and get them back in their rightful containers. Bead soup bugs me!

Finally, by November 10, I had the ends stitched. (I had spent many sleepless hours pondering the design and creation of this neckpiece, and realized that if I wanted symmetry, it made the most sense to stitch the piece, simultaneously, in 2 halves, and then join them in the middle.) Here is my progress on November 10:

As I said earlier, I had chosen a lot of beads for this necklace, and my plan was to incorporate the bigger "focal" beads into my work as I stitched. But after working these 2 gorgeous copper-colored freshwater coin pearls into my ends, which required much tedious increasing and decreasing, I abandoned that plan, deciding that I would just go back and embellish the whole necklace when I finished the peyote. Y'all know how I love to embellish! I wanted to abandon the plan after I added the FIRST copper pearl, because it was such a pain in the ass to add, but I wanted my 2 sides to match!

November 14:

The pieces have grown from 3/4" wide, to about 1-1/4" wide. They don't quite match, but close enough. They desperately want to increase, and just get wider and wider, so I have to keep reining this in by doing some compensatory decreasing.

The photo above is the one that I photoshopped for my November 14 blog post:

November 16:

I used my paper template constantly, making sure the pieces I was stitching stayed on track. The blue section on the right (above) got a little off track - I decreased a little bit too much, so it is slightly narrower than the template. But I decided to live with it (I desperately wanted to rip out the stitches and correct it!)

November 20:

The blue sections are done, and I'm moving on to the purple. The sections are taking a little longer to stitch - they are wider, and longer, but I still think I'm making good progress.

December 7:

3 weeks have passed. It is taking way longer to stitch these pieces - one row is taking almost 30 minutes! Crazy! The outer edges of the neckpiece are now so much longer than the inner, that I have to add many beads (increase) as I stitch towards the edges. I developed what I call an "island swirl" technique to add these sections of increase, and sometimes these little islands of peyote that I add take the stitching a little beyond the edge of the template. But a little bit over the edge I can tolerate. Unfortunately, the pic above shows a swirl that just got too far beyond the edge for me (blue arrow), so I slept on it, and decided to take out this section. Spent 2 days undoing it. Oops. Setback.

At this point, I took a break from working on the neckpiece body to attach the clasp, because the clasp plays such a role in determining the final length and fit of a piece. I had allotted about 1.5" for the clasp when I drew the template, with no thought to what clasp I would ultimately use. I found a Swarovski Cosmic Square that matched perfectly, and used square stitch to attach it to one end, and stitched a peyote toggle bar for the other side:

December 14:

The purple section on the right is finished, and I'm working on the left-sided (as you look at the pic) purple.

December 19:

The purple sections are done, and I'm transitioning into the orange. This pic above actually shows some of  my island swirls for increasing; here is a close-up:

I lay the stitching on the template, and note where the outer edges need to be wider than the inner edge. Then I string enough beads to outline this area that needs to be increased, and bring that strung loop of beads around to the piece and attach it. I just start filling in the inside of the loop until it's full. Then I weave the thread out to the leading edge of the piece again, and resume regular peyote.

It's taking so long to stitch each section now (the edges are now about 4 inches wide) that I'm starting to despair about the deadline. I decide the project must come home with me on the weekends (especially since the next 2 weekends are long holiday weekends!)

December 29:

I have been stitching everyday (!) and have just now finished the transition zones between the purple and orange. Now I'm scared about finishing by January 14.

Here is where the beads will go:

Here is what I'm thinking: The orange section is actually smaller than either of the purples, and there's only one of them. Plus, the donut and the triangle take up a lot of space - so less peyote! Well dang, I'm almost done. I'm thinking.

But see where the inner purple/orange edges of the neckpiece (above pic) have deviated off the template, and into the area occupied by, oh, say.... a human neck? That's gonna be a problem! (When I finally notice it - I didn't notice it for the first few days of stitching on the orange section)

I started stitching the orange section, and after I had stitched about 1/2 inch onto each side, I "tried it on", thinking I was ready to start connecting the beads. But for some reason (e.g. those edges I mentioned in the last paragraph), I still have a lot of stitching to do before I can even think about attaching the focal beads.

January 8 (6 stitching days until the reveal!):

Sonya came by to visit, and I hid my work from her, but held up the ceramic triangle, to show her I hadn't even worked it into my piece yet (!) - I'm pretty sure she was horrified. As was I. This was beginning to look like it would never be finished!

Late that afternoon, the edges were finally close enough to attach the sponge coral donut! Tomorrow, the triangle! {this pic show the challenges of increasing in this piece - note how the purple/orange transition section is only 3/8 of an inch wide along the inner edge, but 3 inches wide at the outer edge - huge difference! All that difference was created with my "island swirl" increases.}

Can you tell how much wider the front orange section is, from what was allotted for it on the original template? - Yikes!

January 9:

The triangle is hanging by a thread (or two) - but it's attached!

Increasing around the triangle:

I wanted to create a peyote "frame" around the triangle - the beads would follow the shape of the triangle bead, but not touch it. Nailed it!

January 10:

Wow! I finally completed the "base" stitching - the front is way wider than I planned, but that's OK. Tomorrow: embellishing.

I guess I should know by now, everything takes longer than I plan on.

I started the embellishing on January 11. I couldn't start working on the embellishing until mid-afternoon, because Sonya spent the morning with me at the bead shop. Had to keep my project under wraps, don't you know.

Stitched for 4 hours that afternoon, all day Saturday, all day yesterday, and 2 hours this morning. By last night, I had accepted that I wouldn't be done by today's reveal, because I stitched for 10 full hours yesterday, and only got ONE purple section embellished. Ridiculous! And I still have the whole orange section plus the other purple one to go!

So, I'm almost done - probably 3 more days of finish work to go. I'll show the finished necklace when it is.... finished.

The embellishment is fun, but tedious. Partly because of deciding where each embellishment will go (requires thinking and planning!), and largely because the dang thread gets caught on every single piece of this neckpiece that it could possibly get snagged on, and I spent many, many minutes untangling it.

The embellishment is adding some beautiful texture, interest, and sparkle to the peyote "plainness" that I see when I looked at the piece on  January 10. It's a little hard to see the actual embellishment in the pics (it just blends into the piece perfectly), but if you compare before and afters, there's no question that there has been a change.

Embellished side:

In the pic below, the blue section is embellished, but not the purple:

Unembellished front section:

On a mannequin:

You can see the embellished purple section on the left, and the plain one on the right.

And here is the neckpiece, flat, again:

Wow - that was a long post. Back to stitching now!

Thanks for reading along! Now head on over to Sonya's blog to see what she's done with her orange ceramic triangle!

Wednesday Worktable

My freeform beading for the Head-to-Head Challenge is what's on my worktable. It's been there for a couple of weeks, and will be there for many more - It progresses at a seemingly glacial pace - I stitch for 7 or 8 hours, and that equals less than 1 inch of finished piece. Still a long way to go! But I love it.

I truly, truly love it - the beads take on a life of their own, and just go wherever they want. Sometimes that's not good, and I have to do some finagling to make the project veer back towards a wearable shape. But it is really fun!

Sonya and I both want to be surprised by what each other makes for the challenge, so this will probably be my last Wednesday Worktable post for a few weeks. The last post was photoshopped to disguise my work (to protect the innocent?) - and so is this pic, showing my progress as of this morning:

I'm having so much fun playing with the distortion effects in photoshop that I'm taking away from my beading!

This project is so much fun that I would like to take it home for the long holiday weekend, where I have so much uninterrupted quiet time facing me that I might, MIGHT even be able to finish it. But 2 things are stopping me:

1) transporting all the various color-sorted bead soups that I have set-up for the stitching, in their plastic cups with NO LIDS, is problematic. Especially the way I tend to drive: one slamming on of brakes, and their would be beads every-damn-where. No thanks.

2) I am going to run out of the particular Fireline I am using sometime after lunch today, if my stitching schedule holds. I am using 4 lb Fireline for this, which I have to special order (I normally use 6lb). I bought a 30yd spool back when I started the challenge, and I cannot believe it is almost all gone. Part of it was sacrificed to the 2 false starts I got off to - it was too time-consuming to take apart the stitching bead by bead, preserving the Fireline, so I just cut it up and gathered the beads. If I had known how much thread this project would eat, I might not have been so hasty! Now I am waiting for the UPS lady to bring me my new order of Fireline, but it will probably arrive either this Friday (when the shop is closed) or next Monday. So no stitching for me this Holiday weekend!

I'll get back to publishing regular Wednesday Worktable posts once I have a new project on my worktable.

Happy Wednesday!

Head to Head Challenge, Update

Last month I entered into a Head to Head Freeform Beading challenge with my friend Sonya. Today is the day we designated for posting an update, showing our progress.

Yesterday, Sonya and I got to have a (way too brief!) visit, and we talked about this update stuff - we are both a little conflicted about what to reveal, because we both want to be surprised by what the other makes!

Here is the bead that is inspiring our beadwork (some of which must be freeform):

I have drawn up my design on paper and chosen my beads, and I've actually been stitching away for about 5 days (with a couple of false starts thrown in, where I ended up ripping out hours of stitching because it was heading in the wrong direction!). I have been really lucky with timing, in that both times Sonya snuck into the bead shop for a visit, I JUST managed to throw a bead mat over my work and hide it from her. HA!

Here is a fancy distorted photoshopped image of what I have stitched so far:

Come back on December 14 for more fancy Photoshoppery; our big reveal will be January 14!

Don't forget to check out Sonya's Head to Head update!

Wednesday Worktable

Still working on the Cellini spiral project. Working the large tubular spiral components into a design is challenging, so I'll be doing a lot of playing, and undoing, most likely!

Yesterday afternoon I decided to put some freeform peyote ruffled "skirts" on the ends of the Cellini spiral tubes. I threw in some off-white freshwater pearls at the edges of the ruffles.

These skirts are supposed to hide the freeform peyote connectors I design to connect the 2 tubes to a focal bead.

I got a little bit of stitching done on the peyote connections last night, and will work on them more today.

Isn't that focal bead amazing?!

These are the beads I am planning to use in my freeform peyote.

Off to start playing!

The Bead Soup is SERVED! Par-tay!!

Wow - This was my first Bead Soup Challenge, first time I have ever done anything like this, and it was fun, but it was a true challenge. I taught myself some new techniques, and the following is a LONG, detailed account of my journey from beginning to end:

These are the beads I received from my delightful BSBP (Bead Soup Blog Party) partner, Tammy Jones:

I'll be breaking this beautiful assortment down individually, and trying to describe my creative process as I looked at the mix, and at the individual components, but as you can see in the above picture, I received a lot of beads, in various sizes, shapes, textures, and colors. The mix includes various turquoise nuggets in different shades and shapes, 4 irregular red bamboo coral nuggets, 11 irregular orange sponge coral nuggets, 2 larger irregular orange sponge coral nuggets, 10 faceted aventurine rounds, a very long strand of turquoise-colored glass beads, a silver toggle, and a large carnelian ring.

Before I get into the nitty gritty, I want to go ahead and reveal a grouped photo of all the pieces I created from Tammy's beads. I normally would save this for the end, but this was a really long process for me, so this is a long post, and I know folks are hopping around trying to see everyone's pretties, and some people won't have the patience for all my ramblings! So here they are:

2 necklaces, a bracelet, and a pair of earrings. Some of the jewelry-making techniques I used in my collection include:

• Beadweaving: tubular peyote, circular peyote, herringbone, and netting
• Wire and Metal Work
• Stringing

If you want the gory details, stay tuned!! And at the end of this post, you'll find links to all the BSBP participants, to help you with your blog hopping and commenting.

According to the BSBP rules, I had to use the focal and the clasp I received; the use of any of the other beads I received was optional, and I was to incorporate beads from my own stash in my design. So I decided the best place to start designing was with the focal!

And obviously, some of the steps in this process overlap each other, because several ideas would suddenly occur to me at once.

This is a close up of the large carnelian ring I received. It is 2-1/4 inches in diameter, and has holes on either side.

Now I love to make big jewelry, but even for me this was a big focal piece. And to be honest, it was a little confounding, because while I have worked with donuts before, and this ring is essentially a big, drilled donut, I kept looking at it, and looking at the rest of the beads Tammy sent me, and drawing a blank. Do I string beads through the middle of the carnelian ring? Do I just wrap around either side of it, and leave the middle empty? Do I weave some sort of bail for it, and dangle something from the bottom hole? What to do, what to do?

And I kept looking at all the beads I'd received, and trying to pair them with the carnelian ring, and with each other, and trying to decide if the ring should just be center of a big multistranded soup necklace, or what?

After several days of pondering, and drawing, and thinking, and sketching, I finally decided that I couldn't figure out a way to incorporate all these beads into ONE finished design. It was making my head hurt! So I decided to let go, and focus on just a few of the beads I'd received.

I was drawn to these faceted aventurine beads, and really wanted to incorporate them into my piece. So I put them next to the carnelian ring, and pondered and sketched some more.

I starting rummaging through my OWN stash of beads, and pulling things I liked with the aventurine.

And I looked at the toggle, which I knew I had to use, and I just felt that proportionally, it was too small for anything I was coming up with for the carnelian ring.

It was at about this time, staring at the aventurine, staring at the carnelian ring, and looking at the beads I had pulled from my own stash, that I knew I really wanted to focus on the calming green colors that Tammy had sent me, like the aventurine and the strand of small turquoise-colored glass beads. I starting thinking even further outside my box, and a thought occurred to me: "What if I camouflage the carnelian ring, so it still serves as the focal, and yet is green?" How would I even do this?

I thought about wrapping it in green satin ribbon, or leather. Unh-uh.

Then I looked at my Delicas, and found the perfect color of aventurine green. But how do I stitch them onto the ring so that it is still usable as a focal? I knew peyote was the only stitch that would cover the carnelian evenly enough that no orange would show through. But how to envelope the carnelian ring in peyote? So I just decided to give it a try.

This was a critical juncture. I liked the stitching, and decided to continue encircling the ring with seafoam green delicas in a tight peyote stitch. But I had to decide what to do about the holes in the carnelian ring. Do I just stitch over them? If I do, I limit the ways I can use the focal when I finish stitching (and yes, I still had not come up with my "vision").

Or should I put headpins in them as placeholders, so that if I want wrapped loops on my finished ring, I'll be able to make them. And if I decide I don't want wrapped loops later in the process, I can always clip them off. But if I don't put them in, there's no going back and adding them through this tight stitch!

And if I go the headpin route, what metal do I use? Because THAT determines my clasp. Period.

I had pulled a couple of strands of pearls that I really liked with the aventurine - one was a beautiful ecru small keishe pearl that I actually ended up using in this finished piece, and the other was an incredible coppery-bronzy larger keishe, that had shades of orange, and went beautifully with the sponge coral. And at this stage, I didn't want to rule out the addition of some of Tammy's coral beads to this finished piece. I preferred Vintaj Natural Brass to silver when looking at all these beads together: the 2 strands of pearls, the long strand of turquoise-colored glass beads, the aventurine, and the sponge coral. So I grabbed 2 long Vintaj Natural Brass headpins, shoved them through the holes in the carnelian ring as placeholders, and kept stitching. And boy, did those headpins complicate the stitching.

At about the point you see in the pic above, the peyote tube I was stitching quit turning freely around the carnelian ring, because the stitched tube was starting to curve too much, and glass doesn't bend very well! So I was already starting to have to pass my needle and thread through the ring with each pass of a bead so I didn't have thread wrapped around the ring. And with the addition of the headpins, that thread started to catch on something or other with every pass. Oh well, one must suffer for one's art, I guess.

Finished ring, with headpins still protruding. You can sort of still see the carnelian between my stitches at the bottom edge of the ring.

Side view of the ring, clearing showing the underlying carnelian between my stitches. Those are actually transparent Delicas, too, so while they block part of the underlying ring from showing,

it's not really completely hidden. Just camouflaged!

Time to ponder some more. I looked at that great expanse of (now green) focal ring, and tried to come up with a design. I drew it as a center focal, with multiple strands coming off the wrapped loops I could create on each side. I drew it as an asymmetrical side focal, with multiple strands coming from the bottom wrapped loop, draping gracefully down and then up to the back, while a single chain came from the top wrapped loop to meet the other strands in the back. I drew some other stuff. But I was unhappy with everything, because even though my focal was green, it was still big, and it was plain, and it was taking up a lot of space.

Oooooh! I had a thought! What if I embellish the ring? I think I might have started to drool. Because I LOVE to embellish! In fact, they don't call me "the Queen of Embellishing" for nothing!

Here was my initial, simple thought: "How do I get some beads on this tightly stitched ring in a way that will attractively fill the dead space, and what beads do I use?" As I say all the time, "so many beads, so little time."

I carried my green ring around, looking at all my seed beads, and discovered that I had some Tilas that were a terrific match for both the green and the bronze. And I love Tilas.

I had my coral beads in the back of my head, and I knew I was now going to create Tila Flowers, one of my favorite ways to use Tilas, so I rummaged through my personal bead stash, looking for some smaller coral or red beads that matched.

I found some round, bright red bamboo coral 6mm beads, perfect for the flower centers.

I found some bright red Czech fire-polished crystals for the "petals".

And I filled in the rest of the flower pattern with bronze seed beads, teal seed beads, coral-red Delicas, and those turquoise-colored glass beads Tammy sent me.

I had initially thought these beads were turquoise, but when I took some off the strand, they reminded me a lot of size 6 seed beads. A LOT. They were a little irregular in shape and length, but they acted like size 6 Czech seed beads, and so I decided to treat them like size 6 seed beads.

And then I got curious, and decided to sacrifice one (since I had hundreds and hundreds of them), and I tapped it with a hammer, and sure enough, these beads were glass! Not that it mattered - I had already decided to use them as seed beads, but I was kind of pleased with my bead diagnostics!

So here is the first flower I made, threads still attached, awaiting my next move.

I love how it matched the ring, and envisioned 5 of these flowers covering more than half of the ring, overlapping each other and filling most of the hole in the middle of the green ring. So I stitched up 4 more flowers.

And then came the day I had dreaded: attaching the woven flowers to the ring, I knew this would not be easy. The green delicas were sewn so tightly, and so close to the carnelian, and many of them had multiple thread passes through them, so it was a bit of challenge, and a feat of engineering!

But it turned out just as I planned it, and I love the result. It is a big, structural focal piece, measuring 3-5/8 inches from top to bottom, and while you can still see the green ring, it is no longer a big, boring, dead space - it is a focal attraction! It calls attention to itself.

Meaning the rest of the necklace needs to be subtle. NOT my strong point.

Back of the ring, showing how my flowers even hide my wrapped loops.

Clearly this ring is too big to support a single strand necklace, and I had basically known from the beginning that I was working toward a multistrand result.

And now I have a side focal piece, so the question was how to bring the strands up to a clasp, and what kind of clasp? Something simple in the back, so as not to detract from the focal? Or something on the opposite side of the necklace, to balance the focal and allow for the placement of the strands, which otherwise would have to start clumping together when they reached the neck, and that's never comfortable.

And just when I was making my decision, my friend, Sonya, came in wearing a necklace she had just made, using a pattern in the Bead & Button Fall 2011 issue of WireWork. I loved the connectors on her necklace, so I decided to adapt them into a clasp, using Vintaj Natural Brass.

The largest Vintaj Natural Brass wire I had was 18g, which I hammered flat, leaving a nice textured look, but when I finished it felt a little flimsy to work as a clasp, so I tumbled it for a loooong time, but never really got the hardness I wanted. So I decided to make 2 identical clasps from the 18g wire and then wire them together, for a thicker, stronger piece. Simple, huh?

If you said "yes," you have clearly never worked much with wire!

It took hours and hours to get 2 pieces of wire to bend identically, to my satisfaction. Once I did, I hammered them, then wrapped them together with more Vintaj Natural Brass Wire, adding a couple of my BSBP aventurine beads in the curves.

Then I formed an S-hook from the 18g Vintaj Natural Brass wire, and cut some large jumprings for the S-hook to go into, so that the large S-hook and the large clasp would both lie flat. And the 18g jumprings weren't sturdy enough, so I wired a couple of them together, and finally added an aventurine and freshwater pearl dangle (from my own stash) to the tip of the S-hook. Clasp complete!

I used Vintaj Natural Brass chain to connect the focal ring and the clasp together around the neck.

On to the strands!

The 1st strand was a cake walk. I knew I wanted to use the faceted aventurine, and I had some delicate Vintaj Natural Brass chain, so I used some Vintaj Natural Brass headpins to make aventurine dangles, spread out over the length of the chain from focal to clasp, with a nice soft drape. This look, all by itself, was wonderful, and would have been a great finished necklace, except the strand literally wasn't heavy enough to balance the clasp and the focal, and I wanted to add more beads anyway! So on to strand 2!

If you remember, MY challenge with these strands was to be subtle, because I already had a focal that commanded attention, and couldn't really afford to be busy in the strands. So I added a simple, unadorned piece of Vintaj Natural Brass as strand 2.

For strand 3, I had always envisioned a delicate beadwoven rope, using the turquoise-colored Czech seed beads Tammy sent me. Here they are again:

I thought about a spiral, or a Russian Spiral, or even tubular herringbone, but they all seemed too...something. Either too big, or to busy, or I didn't have the right matching bead. Something.

So what does a crazy person do when working against a deadline? She decides to learn a brand NEW stitch, one that she has always and forever sworn NEVER to learn, because every time she reads instructions for it, she gets a headache. And what is this delightful stitch? Netting.

I found a pattern with instructions, chose a size 15 seed bead then went with my design, and took everything home for the weekend. And spent 3 days trying to figure it out. But I finally got it. (HINT: doing the same, wrong thing over and over again will never have a different result, and will never turn out right. Feel free quote me on that. LOL)

And I couldn't be happier with the result! It's the perfect size for this design.

Next? Strand 4. I used the ecru keishe pearls I had chosen from my stash, and added a few teal Czech fire-polished crystals for a little color balance.

Next? Strand 5. I strung Tammy's smaller sponge coral nuggets with my copper-colored large keishe pearls, and held it up to the already 4-strand necklace. And it looked fine, but when I took it away, I realized the necklace was better without this 5th strand. It was just too much. But I liked the strand, so I set it aside.

One BSBP project complete!

Project 2: I decided to use these 2 larger nuggets of sponge coral for a pair of earrings.

I added some of the copper-colored keishe pearls, and the last 2 adventurine beads I received in the swap.

Project 3: Here are those smaller sponge coral nuggets that I almost added as part of a 5th strand for my 1st necklace:

As I said earlier, I had already strung them with those luscious copper-colored freshwater pearls, and loved the result. So I made it longer, and decided to add a Swarovski Cosmic Ring as a focal. I stitched up a square stitch bail using copper-colored Delicas for the Cosmic Ring, restrung the pearls and sponge coral, and had one piece of sponge coral left, so I added it to the Vintaj Natural Brass chain extender in the back of the necklace as a dangle (trust me, it's back there!)

I am really happy with this necklace!

So, 3 projects done, and I have a lot of turquoise and bamboo coral left. And I still have a silver toggle to use.

Interestingly, 2 of these nuggets are drilled through the long side, and 2 are drilled through the short side. For a little added degree of difficulty.

I went a little Project Runway about now. My head was all "But what about the cohesiveness of your collection? You, are OUT!! Auf Wiedersehen!" I love bamboo coral, turquoise, and silver together, Heidi, but I have used all this Vintaj Natural Brass everywhere else! But then I slapped myself, and got down to business.

While digging through my box of personal bead soup, I had set aside everything turquoise and coral, and I also found a large piece of bamboo coral, so my first thought was "Cha-Cha". After all, I love the embellishing!

I made lots and lots of dangles for this bracelet, using sterling silver rolo chain as the base. I put the large piece of bamboo coral in the center as a focal, and the 2 pieces that are drilled through their long sides lie between the focal piece and the clasp. I hung all the dangles, and then had to make more dangles, because there were dangle-free spots, in my opinion. And you can't really have too many dangles! Even the 2 left-over bamboo coral nuggets from Tammy were turned into dangles.

Once done to my satisfaction, the large bamboo coral focal piece looked a little bare, so I used 16g sterling silver wire to create a hammered curlicue, and attached it to the focal bead.

One side...

and the other side of the Cha-cha bracelet.

The silver toggle clasp, and its own dangle.

So here is my complete collection again.

Thanks for reading all of this (if you did), and I hope you'll leave some comments!

This was a lot of fun, and a huge challenge for me, and I want to thank Lori Anderson for all her hard work and communications in getting this endeavor organized, and for the opportunity to participate.

These are the beads I sent my BSBP partner, Tammy. Tammy is the editor of Jewelry Making Daily, and can also be found on Facebook. It has been wonderful working with her and getting to know her, and I can't wait to see what she makes with my beads! Please visit her blog and take a look!

If you want to visit some of the talented folks participating in BSBP, here is a complete, semi-alphabetical list, broken up into small of 10 pairs to make it seem a little more manageable! {I'm all the way down at #177!}  As a matter of fact, I strongly recommend you give us "bottom-dwellers" (bottom of the list, that is) a fair shake, and start at the bottom of the list for your blog hopping!!

We know you can't visit all of us in one day! But maybe you can visit a few of us each day for the next week or two. I'm sure you will see some amazing designs, and you might even learn some neat stuff!


The Hostess, Lori Anderson and her partner, Manuela Wutschke

1. Aimee Wheaton and Barbara York
2. Alice Craddick and Sandra Richardson
3. Alison Sachs and Amy Severino
4. Allison Scott and Cynthia Abner
5. Amanda Cargill Austin and Charlene Sevier
6. Amanda Davie and Patsy Evins
7. Amber Dawn and Kim Ballor
8. Ambra Gostoli and Christine Hansen
9. Amy Freeland and Christine Altmiller
10. Ana Krepel-Novak and Eleanor Snare


11. Andrea Morici and Hope Smitherman
12. Andrea Trank and Jayne Capps
13. Andrea Turini and Charlene Jacka
14. Angela May and Emanda Johnson
15. Anitra Gordy and Elizabeth Owens Dwy
16. Ann Rishell and Debbie Price
17. Ann Sherwood and Lynne Bowland
18. Anna Lear and Barbe Saint John
19. Anna Sabina and and Erin Siegel
19. Nan Emmett and Erin Siegel
20. Astrid Boyce and Birgitta Lejonklou


21. B.R. Kuhlman and Deanna Chase
22. Barbara Bechtel and Bryna Lumb
23. Barbara Blaszczyk and DaviniaDesign
24. Barbara Judy and Holly Westfall
25. Barbara Lewis and Cathie Carroll
26. Barrie Edwards and Lyn Foley
27. Becky Fairclough and Jana Tarhala
28. Bella Borgouise and Gillian Lehman
29. Beth and Evie McCord and Erin Prais-Hintz
30. Beth Bricker and Heather Pyle


31. Beth Emery and Cassie Donlen
32. Bobbie Rafferty and Cindy Cima Edwards
33. Candice McGinnis and Sally Anderson
34. Carol Bradley and Cece Cormier
35. Cathy Khoury and Molly Alexander
36. Carol Tannahill and Hilary Frye
37. Carrie Tahquechi and Cris Peacock
38. Cat Pruitt and Cindy Gimbrone
39. Charlene Gary and Doris Stumpf
40. Charlotte Pevny and Kate Gardenghi


41. Cherrie Fick and Cathie Carroll
41. Claire Maunsell and Cherrie Fick
42. Cheryl Roe and Jenny Vidberg
43. Chris White and Norma Turvey
44. Christa Murphy and Kathy Alderfer
45. Christie Murrow and Dana James
46. Christina Miles and Collette Collins
47. Christine Brandel and Elizabeth Woodford
48. Christine Damm and Cynthia Deis
49. Christine Hendrickson and Debbie Goering
50. Christine Stonefield and Dee Wingrove-Smith


51. Cilla Watkins and Johanna Rhodes
52. Cindy Wimmer and Riki Schumacher
53. CJ Baushka and Cory Celaya
54. Courtney Breul and Joanna Matuszczyk
55. Cristi Clothier and Kathleen Robinson Young
56. Cryss Thain and Serena Trent
57. Cynthia Tucker and Kitty Durmaj
58. Dana Johnson Jones and Eva Sherman
59. Davinia Algeri and Janet McDonald
60. Deci Worland and Lara Lutrick


61. Diana Ptaszynski and Kristy Abner
62. Diane Cook and Kerry Bogert
63. Diane Hawkey and Jen Judd Velasquez
64. Dorcas Midkiff and Jill Harris
65. Doris Radlicki and Heather Goldsmith
66. Dot Lewallen and Gaea Cannaday
67. Elisabeth Auld and Jennifer Justman
68. Erin Fickert-Rowland and Geanina Grigore
69. Erin Grant and Julie Jones
70. Eszter Czibulyas and Helena Fritz


71. Fiona Christie and Michelle Heim
72. Gail Zwang and Genea Crivello-Knable
73. Geneva Collins and Jana Haag
74. Gretchen Nation and Heidi Post
75. Heather DeSimone and Karin Slaton
76. Heather Marley and Terry Carter
77. Ingrid McCue and Jennifer Pride
78. Jackie Ryan and Nicole Keller
79. Janna Harttgen and Joanne Tinley
80. Jean Yates and Lori Anderson


81. Jelveh Jaferian and Jenny Davies-Reazor
82. Jenni Connolly and Jennifer Heynen
83. Jennifer Cameron and Kristi Bowman
84. Jennifer Geldard and Lisa Liddy
85. Jennifer VanBenschoten and Kim Hora
86. Jess Italia Lincoln and Lori Greenberg
87. Jill MacKay and Lori Bergmann
88. JJ Jacobs and Karen Tremblay
89. Joyce Becker and Kathy Welsh
90. Judy Glende and Karen Sinkowski


91. Judy Riley and Kelly Morgan
92. JuLee Wolfe and Julie Bean
93. Julianna Cannon and Julianna Kis
94. Julie Nordine and Lesley Watt
95. K. Hutchinson and Shea Zukowski
96. Karen Firnberg and Karyn Bonfiglio
97. Karen Williams and Kimberly Roberts
98. Karen Zanco and Polly Barker
99. Kari Carrigan and Laura Twiford
100. Karin von Hoeren and Laura Blanck


101. Kate Richbourg and Lorelei Eurto
102. Kathleen Lange Klik and Maria Clark
103. Kathy Engstrom and Keri Lee Sereika
104. Kay Thomerson and Loretta Carstensen
105. Kelley Fogle and Laurel Bielec
106. Kelly Ramstack and Sally Anderson
107. Kim Stevens and Tiffany Long
108. Kristi Harrison and Mandy Williamson
109. Kristi Kyle and Lana Kinney
110. Kristina Johansson and Sue Hodgkinson


111. Kym Hunter and Laura Sanger
112. Laura Zeiner and Susan Kennedy
113. Laurel Steven and Mary McGraw
114. Laurie Hanna and Lisa Boucher
115. Lesley Weir and Liz DeLuca
116. Linda Djokic and Tracey Weiser
117. Linda Inhelder and Pam Brisse
118. Linda Landig and Lori Dorrington
119. Linda Murphy and Lisa Hamilton
119. Line Labrecque and Marianne Baxter
120. Lisa Lodge and Monica Johnson


121. Lois Moon and Melissa Muir
122. Lola Surwillo and Therese Frank
123. Lori Bowring Michaud and Marci Brooks
124. Lupe Meter and Norma Agron
125. Maggie Towne and Marge Beebe
126. Malin de Koning and Susie Hibdon
127. Mallory Hoffman and Shirley Moore
128. Marcie Abney and Patty Miller
129. Marcy Lamberson and Melissa Clarke
130. Margot Potter and Suzann Sladcik Wilson


131. Maria Grimes and Wendy Blum
132. Maria Horvath and Melinda Orr
133. Maria Rosa Sharrow and Marie-Noel Voyer-Cramp
134. Marian Hertzog and Melissa Mesara
135. Marianna Boylan and Sandi Lee James
136. Marina Dobrynina and Michaela Pabeschitz
137. Marsha Neal and Miri Agassi
138. Mary Ellen Parker and Melissa Meman
139. Mary Elliott and Tamara Soper
140. Mary Hicks and Laurel Steven


141. Melissa Pynn and Michelle Buettner
142. Michelle Hardy and Niki Meiners
143. Michelle Mach and Moira McEvoy
144. Missy Rappaport and Mags Saari
145. Molly Alexander and Poranna
146. Mylene Hillam and Nicole Rennell
147. Nadezhda Parfyonova and Stacey Curry
148. Nan Emmett and Nancy Peterson
149. Nancy Boylan and Natalie McKenna
150. Natalie Monkivitch and Niky Sayers


151. Natasha Lutes and Pam Ferrari
152. Noemi Baena and Penny Ilagan
153. Pamela Petry and Rebecca Sirevaag
154. Pat Haight and Mary Hicks
155. Patty Gasparino and Vonna Maslanka
156. Penny Neville and Sandi Volpe
157. Pepita Bos and Wendy Chamberlain
158. Raida Disbrow and Rebecca Watkins
159. Rebecca Anderson and Sabrina Staub
160. Regina Santerre and Rose Binoya


161. Rhea Freitag and Tari Kahrs
162. Rochelle Brisson and Teri Baskett
163. Sally Russick and Tracy Bell
164. Sandra McGriff and Shay Williams
165. Sandra Wollberg and Sara Hardin
166. Sarah Elder and Salla Small
167. Saskia Kaffenberger and Sharon Gardner
168. Sharon Palac and Shannon Chomanczuk
169. Shay Stone and Suzette Bentley
170. Shiraz Biggie and Tammy Powley


171. Staci Smith and Tracy Stillman
172. Stacie Stamper and Tracy Martin
173. Stefanie Teufel and Vicky Taylor
174. Stephanie Dixon and Stephanie LaRosa
175. Stephanie Haussler and Valerie Norton
176. Suzanne Tate and Terri Wlaschin
177. Sweet Freedom Designs (ME!) and Tammy Jones
178. Tania Spivey and Tari Sasser
179. Tara Plote and Terry Matuszyk
180. Terri Gauthier and Deana Hager
181. Theresa Fosdick and Tracey Nanstad

While compiling and linking the above list, I visited every shop on the list. I am amazed at the talent, and at how many of these folks I know from Etsy and/or FaceBook! Can't wait to see what everyone makes!