Remember the crystal spinner ring I created for the Bead Soup Blog Party?
I guess the heat affected the ring after all, because a few days after the BSBP reveal, the crystal just split in half and fell off the ring.
This is what I was left with:
I briefly considered leaving it like this.
Then I started pondering what I could put on the pin. Which isn't detachable, by the way.
Can't get another bead on there.
Jumprings - yeah, they'll go on there. Big deal.
Coiled wire - I could do it, but it didn't really float my boat.
Here's what I finally did:
I was going to do a multicolored peyote bead or similar beaded bead, stitching it directly to the pin, and using several different bead sizes to get a nice, bumpy texture. I tried several different seed bead combos, but they weren't really making me happy.
I finally decided to make a burgundy peyote tube base with 11/0s, and then a narrower, larger diameter copper peyote tube around the burgundy one, using 8/0s. Both the peyote tubes spin, independently of each other. I like it!
Showing posts with label ring. Show all posts
Showing posts with label ring. Show all posts
Monday, September 10, 2012
Friday, August 31, 2012
BSBP Deconstructed: Crystal Spinner Ring
For those of you looking for my BSBP reveal, it is here - I hope you'll click the link and check out the whole reveal!
This is the 5th in a series of posts devoted to breaking down the design process that went into each of my BSBP creations. The series so far:
When we last left off, I had met the criteria for the Bead Soup Blog Party Challenge, having used both a clasp and focal sent by my partner. The reveal date was approaching rapidly, but Kate had sent me this red striped paper bag chock full of interesting stuff I never use, including wire solder and this cool copper "flat wire", which she told me she liked to use for ring shanks.
That stuck in my head, and I really wanted to try to solder a ring using this neat stuff, plus one of the huge purple iris Czech crystal beads she had sent.
Very coincidentally, this tutorial popped into my Pinterest feed one day about 3 weeks ago, and I hoarded it away, thinking it was a great fit for this ring idea I had.
On Tuesday of last week, I gathered the materials together, set up my iPad so I could follow along with the tutorial, and started making the wet manila paper insulation:
While the manila pieces were soaking, I set about to prep the shank:
The first thing I did, as with most of my metal work, was create a paper template of the ring - allowing for size, shape, placement for the crystal, etc.
Once I had the paper ring correct, I laid it on the copper and cut accordingly.
Next, I drilled the holes, bent the shank, and filed all the rough edges:
All the easy stuff is done now - time to pull out the torch. This particular ring didn't require soldering, but I would be drawing a bead on each end of a piece of copper, to create a pin to hold the ring suspended at the top of the shank.
I used my acetylene torch, because it has a much finer flame than the MAPP torch I use for enameling.
I didn't get any shots of me drawing the first bead - pretty straight forward, as the ring itself isn't involved in this first torching.
Once I had a bead on one end of a piece of copper wire, it is time to draw the other bead. For this step, I would be placing the whole ring in a third hand (bead and all) and insulating the bead with the wet manila. In theory, the wet manila will keep the bead from getting too hot, without catching on fire.
When I drew the first bead, I measured how much copper wire I needed to flame to get the size ball I wanted on the wire - then after placing the pin in the shank with the bead in place, I measured and cut the copper wire extending from the other side so that I will (in theory) get the same size ball on the other side. That's the amount of copper wire you see hanging down in the pic above.
And then I aimed my flame at the copper wire, and this is what I got:
Instead of my copper ball beading up right next to the ring shank, it stopped, about 4 mm away.
10 times.
Yes, I kept repeating this step over and over, thinking I was doing something wrong. And I re-watched the tutorial. Several times. It always worked for the girl in the tutorial!
Yet no matter what I did, I kept getting the exact same result.
I held the flame on the wire/ring for a long time - so long that the manila paper was bone dry and smoldering. And no longer serving as insulation. Ultimately, since the bead seemed no worse for all that heat, I gave up on the manila altogether, and just pinned the ring to my firebrick and fired it - and got the same result. (that's the pic you see above) - I had thought that maybe my 3rd hand was drawing heat away from the copper wire I was trying to ball, so I switched to the stainless steel T-pins to hold the shank - but it made no difference.
Then I decided to do a test on some 24 gauge sheet copper:
It worked perfectly, right away. No prolonged heating - it just balled right up like a champ! Just like on the video.
At this point, I decided that the whole, thick, copper shank must be acting as a heat sink, drawing the needed head for the balling process away from the copper wire - so I went with plan B
I left the pin the way it was, and wrapped a very small amount of 28g orchid-colored artistic wire on either side of the shank to take up the slack - and that's what you see in the final result.
It was fun!
This is the 5th in a series of posts devoted to breaking down the design process that went into each of my BSBP creations. The series so far:
- kumihimo lariat with gemstone chips
- sari ribbon and enameled bead necklace
- Vintaj charm/cha-cha bracelet
- sari ribbon cuff with bluebird
When we last left off, I had met the criteria for the Bead Soup Blog Party Challenge, having used both a clasp and focal sent by my partner. The reveal date was approaching rapidly, but Kate had sent me this red striped paper bag chock full of interesting stuff I never use, including wire solder and this cool copper "flat wire", which she told me she liked to use for ring shanks.
That stuck in my head, and I really wanted to try to solder a ring using this neat stuff, plus one of the huge purple iris Czech crystal beads she had sent.
Very coincidentally, this tutorial popped into my Pinterest feed one day about 3 weeks ago, and I hoarded it away, thinking it was a great fit for this ring idea I had.
On Tuesday of last week, I gathered the materials together, set up my iPad so I could follow along with the tutorial, and started making the wet manila paper insulation:
manila folders, a bowl of water, and the tutorial on my iPad
bowl of torn-up manila pieces, soaking
While the manila pieces were soaking, I set about to prep the shank:
flat copper wire
The first thing I did, as with most of my metal work, was create a paper template of the ring - allowing for size, shape, placement for the crystal, etc.
I finally got the paper model of the ring correct, with marks where I would bend the copper and drill holes for the crystal (a beadweaving needle holds the crystal in the paper ring)
Once I had the paper ring correct, I laid it on the copper and cut accordingly.
copper ring shank, with marks where I will bend and drill
Next, I drilled the holes, bent the shank, and filed all the rough edges:
ring shank, bend, drilled, and filed
All the easy stuff is done now - time to pull out the torch. This particular ring didn't require soldering, but I would be drawing a bead on each end of a piece of copper, to create a pin to hold the ring suspended at the top of the shank.
I used my acetylene torch, because it has a much finer flame than the MAPP torch I use for enameling.
I didn't get any shots of me drawing the first bead - pretty straight forward, as the ring itself isn't involved in this first torching.
Once I had a bead on one end of a piece of copper wire, it is time to draw the other bead. For this step, I would be placing the whole ring in a third hand (bead and all) and insulating the bead with the wet manila. In theory, the wet manila will keep the bead from getting too hot, without catching on fire.
ring, suspended in its manila insulation
When I drew the first bead, I measured how much copper wire I needed to flame to get the size ball I wanted on the wire - then after placing the pin in the shank with the bead in place, I measured and cut the copper wire extending from the other side so that I will (in theory) get the same size ball on the other side. That's the amount of copper wire you see hanging down in the pic above.
And then I aimed my flame at the copper wire, and this is what I got:
ring after firing
Instead of my copper ball beading up right next to the ring shank, it stopped, about 4 mm away.
10 times.
Yes, I kept repeating this step over and over, thinking I was doing something wrong. And I re-watched the tutorial. Several times. It always worked for the girl in the tutorial!
Yet no matter what I did, I kept getting the exact same result.
I held the flame on the wire/ring for a long time - so long that the manila paper was bone dry and smoldering. And no longer serving as insulation. Ultimately, since the bead seemed no worse for all that heat, I gave up on the manila altogether, and just pinned the ring to my firebrick and fired it - and got the same result. (that's the pic you see above) - I had thought that maybe my 3rd hand was drawing heat away from the copper wire I was trying to ball, so I switched to the stainless steel T-pins to hold the shank - but it made no difference.
Then I decided to do a test on some 24 gauge sheet copper:
It worked perfectly, right away. No prolonged heating - it just balled right up like a champ! Just like on the video.
At this point, I decided that the whole, thick, copper shank must be acting as a heat sink, drawing the needed head for the balling process away from the copper wire - so I went with plan B
I left the pin the way it was, and wrapped a very small amount of 28g orchid-colored artistic wire on either side of the shank to take up the slack - and that's what you see in the final result.
It was fun!
Saturday, August 25, 2012
My BSBP Reveal
This is my second time to participate in Lori Anderson's Bead Soup Blog Party (BSBP), and once again, I found myself challenged! [If you're interested, my first BSBP reveal is here.]
Here's how the BSBP works: you submit your name; get paired with a partner; exchange a focal bead, a clasp, and some coordinating beads with your partner; design a piece (or pieces) using the focal, the clasp, and incorporating some beads from your own soup, plus the extra beads from your partner if you wish, then wait until the reveal day to post your designs on your blog.
As a reminder, here are the beads I received from my partner, Kate Richbourg:
This box was crammed full of treasure - here are some "outtakes:"
Amazing, right? I had no idea where to start!
Here are my completed designs - I will save the design chit chat for another day, so if you want the gory details, I'll be sharing them here over the next few days.
If I worked from now until Christmas, I don't think I could use up all the beads my generous partner sent me!
As a reminder, here are some of the beads I sent Kate:
I can't wait to see what she's created! Please pop over and see Kate's reveal, and I hope you can spend some time hopping around and visiting the other BSBP participants - we appreciate your comments!
Here is a list, to help you with your hopping:
edited to add: kumihimo lariat design process is detailed here!
enameled bead necklace with sari ribbon is detailed here!
Vintaj charm bracelet design process detailed here!
sari ribbon cuff with blue bird is detailed here!
crystal spinner ring is detailed here!
Here's how the BSBP works: you submit your name; get paired with a partner; exchange a focal bead, a clasp, and some coordinating beads with your partner; design a piece (or pieces) using the focal, the clasp, and incorporating some beads from your own soup, plus the extra beads from your partner if you wish, then wait until the reveal day to post your designs on your blog.
As a reminder, here are the beads I received from my partner, Kate Richbourg:
This box was crammed full of treasure - here are some "outtakes:"
semiprecious gemstone chips, kyanite, glass, howlite
3 silver clasps and some sari ribbon
various silver focals and charms
copper wire, solder, polishing pads
Amazing, right? I had no idea where to start!
Here are my completed designs - I will save the design chit chat for another day, so if you want the gory details, I'll be sharing them here over the next few days.
kumihimo lariat, with Kate's gemstone chips and wing toggle (with amethyst patina)
enameled bead necklace, using sari ribbon and toggle (patinated antique gold) from Kate
copper cuff with sari ribbon and Kate's bird focal (patinated blue)
copper cuff, different view
charm/cha-cha bracelet, chock full of beads from my partner
charm bracelet detail, showing the sweet bee charm from Kate (which I patinated antique gold)
Spinner ring, using copper and large Czech glass crystal from my partner
If I worked from now until Christmas, I don't think I could use up all the beads my generous partner sent me!
As a reminder, here are some of the beads I sent Kate:
enameled beads in blue and brown, plus brown freshwater pearls
copper toggle with enameled bar
copper wire-wrapped pendant
I can't wait to see what she's created! Please pop over and see Kate's reveal, and I hope you can spend some time hopping around and visiting the other BSBP participants - we appreciate your comments!
Here is a list, to help you with your hopping:
Alison Sachs, Beads by Earthtones
Amanda Dittloff, Passion Smashin'
Andra Marasteanu, Bijoux de Monanage
Angie Szlovak, SweetBeads
Anitra Gordy, Leelu Creations
Ann Sherwood, Ann's Blog
Arlene Dean, A Glass Bash
Audrey Belanger, Dreams of an Absolution
Barb Solem, Vivi Magoo Presents
Barbara Blaszczyk, laboratorim Flory
Bianca Odenthal, Zydies Glasperlen
Birgit Klughardt, GitesBeads
Bobbie Rafferty, Beadsong Jewelry
Bonnie Coursolle, Jasper Gems
Cece Cormier, The Beading Yogini
Charlene Jacka, Clay Space
Cherrie Fick, En La Lumie're
Cheryl Foiles, Get Your Bead On
Christie Murrow, Charis Designs Jewelry
Christina Miles, Wings n Scales
Christina Stofmeel, Feng Beads
Christine Stonefield, Sweet Girl Design
Cindy Cima Edwards, Live to Design
CJ Bauschka, 4 His Glory Creations
Claire Smith, Embergrass Jewelry
Cynthia Riggs, Cynth's Blog
Dana Fowler, Trunk Full of Treasure
Dawn Pierro, Turtle Moon Designs
Dee Elgie, Cherry Obsidia
Donetta Farrington, Simply Gorgeous
Dot Lewallwn, Speedie Beadie
Eileen Snyder, Dorset Hill Beads
Elizabeth Bunn, Elizabeth Beads
Eva Kovacs, Ewa gyongyos vilaga!
Evelyn Duberry, Sheba Makeda
Fay Wolfenden, Torch Fairy
Fen Li, Bead Flora Jewels
Gail Zwang, Angel Moose Enterprises
Geneva Collins, Torque Story
Grace Dorsey, Fan of the Flame
Gretchen Nation, Art Food Lodging
Hannah Annear, Squintessential
Hajer Waheed, My Beaded World
Heather Goldsmith, As I Bead It
Heather Otto, The Craft Hopper
Heidi Kingman, My Bead Therapy
Hope Smitherman, Crafty Hope
Isolina Perez, Isolina Perez
Jacqueline Keller, CreARTelier
Jane Haag, Did You Make Something Today?
Janeen Sorensen, Wild Vanilla Designs
Jean Peter, Jean P. Designs
Jennifer Judd, Jen Judd Rocks
Jennifer L Justman, Soul's Fire Designs
Joanna Matuszczyk, Bizuteria z filcu
Joanne Brown, Jo's Jewels
Joanne Lockwood, Jo Bunkum
Joyce Becker, Joyce's Joyful Gems
Judy Riley, Three Red Beads
Karen Mitchell, Over the Moon Design
Karen Williams, Baublicious
Karin von Hoeren, Creative Ideen
Karla Morgan, Texas Pepper Jams
Kashmira Patel, Sadafule .. always in bloom!
Kate Richbourg, We Can Make That at Home
Katrin Lembke, AllesPerle
Kathy Combs, Torched in Texas
Kathy Lindemer, Bay Moon Design
Kay Thomerson, Kayz Kreationz
Kelley Fogle, My Life, One Bead at at Time
Kelly Hosford Patterson, Traveling Side Show
Klaudette Koon, Only Road
Lara Lutrick, Lampwork Beads by Lara
Laura Guenther, Blue Antiquities
Laurie Lalonde, Simply Mod Jewelry
Lilik Kristiani, Soul of My Embodiment
Linda Younkman, Lindy's Designs
Lisa Chapman, Beach Cat Beads
Lisa Lodge, Pine Ridge Treasures
Loretta Carstensen, Designs by Loretta
Lori Bergmann, Lori Bergmann Design
Lori Dorrington, Lori's Adventures in Etsy Land
Lupe Meter, Gem's PC Corner
Lynn Davis, LLYYNN
Malin de Koning, Beading by Malin
Mandi Effron, Craft-o-licious
Mandy Williamson, Mimi's Beading
Margot Potter, The Impatient Crafter
Maria Rosa Sharrow, Willow Street Shops
Marianne Baxter, Simply Seablime Jewelry
Marina Dobrynina, Savon Feutre
Marjolein Trewavas, Room for Change
Marelene Cupo, Amazing Designs
Marsha Neal, Marsha Neal Studio
Marta Kaczerowska, uhuhu
Mary Govaars, MLH Jewelry Designs
Melissa Trudinger, Bead Recipes
Menka Gupta, Menka's Jewelry Blog
Michelle Burnett, Reverie and Revival
Michelle Escano-Caballero, The Cabby Crafter
Miko Wiropati, Uniquely Yunikua
Milla Hope, LB Creative Arts and Crafts
Mimi Gardner, Other Curiosities
Miranda Ackerley, MirandackArts
Natalie McKenna, grubbi
Noemi Baena, fuego, metal, y color
Pam Ferrari, Ferrari Originals
Pam Sears, Crazy Creative Corner
Penny Neville, Copper Penny
Rachel Baron, R. Baron Designs
Rachel Myers, Rockabead Jewelry
Rana Wilson, Definitive Designs by R. Wilson
Rebecca Anderson, Song Beads
Rebecca Sirevaag, Becca's Place
Riki Schumacher, Riki Jewelry
Rose Binoya, Ahtee's Blog
Rossana De Gaspari, Rdegas Blog
Sandi James, Do Be Do Bead Do
Sandi Volpe, Sandi Volpe
Sandra Wollberg, City of Brass Stories
Sarah Goode, Pookledo
Sarah Small, blog by salla
Shai Williams, Shaiha's Ramblings
Shawn Mills, Shawn Marie Designs with Bent Wire
Sheila Davis, Stone Designs by Sheila
Sheryl Stephens, Babble Bead
Shiraz Biggie, Secret Song Designs
Solange Collin, Ahowin Handcrafted Jewelry
Sonya Stille, Dreamin' of Beads
Stephanie Dixon, The Dixon Chick
Susan Kennedy, Sue Beads
Susan Sheehan, Strands of Thought
Suzann Sladcik Wilson, Beadphoria
Sweet Freedom, Sweet Freedom Designs
Tabatha Dinger, Modernly Created
Tania Hagen, Pelima Jewellery Design
Tanya Boden, Fusion Muse
Terri Gauthier, Blooming Ideas
Terry Carter, Tapping Flamingo
Tracy Stillman, Tracy Stillman Designs
Thanks so much for taking the time to visit my blog, and to leave a comment. I really appreciate it! If you are interested in design details and behind-the-scenes creation tidbits, please come back over the next few days, as I will be going in-depth into the creation of each of the pieces I've shown you today. Thanks!Bobbie Rafferty, Beadsong Jewelry
Bonnie Coursolle, Jasper Gems
Cece Cormier, The Beading Yogini
Charlene Jacka, Clay Space
Cherrie Fick, En La Lumie're
Cheryl Foiles, Get Your Bead On
Christie Murrow, Charis Designs Jewelry
Christina Miles, Wings n Scales
Christina Stofmeel, Feng Beads
Christine Stonefield, Sweet Girl Design
Cindy Cima Edwards, Live to Design
CJ Bauschka, 4 His Glory Creations
Claire Smith, Embergrass Jewelry
Cynthia Riggs, Cynth's Blog
Dana Fowler, Trunk Full of Treasure
Dawn Pierro, Turtle Moon Designs
Dee Elgie, Cherry Obsidia
Donetta Farrington, Simply Gorgeous
Dot Lewallwn, Speedie Beadie
Eileen Snyder, Dorset Hill Beads
Elizabeth Bunn, Elizabeth Beads
Eva Kovacs, Ewa gyongyos vilaga!
Evelyn Duberry, Sheba Makeda
Fay Wolfenden, Torch Fairy
Fen Li, Bead Flora Jewels
Gail Zwang, Angel Moose Enterprises
Geneva Collins, Torque Story
Grace Dorsey, Fan of the Flame
Gretchen Nation, Art Food Lodging
Hannah Annear, Squintessential
Hajer Waheed, My Beaded World
Heather Goldsmith, As I Bead It
Heather Otto, The Craft Hopper
Heidi Kingman, My Bead Therapy
Hope Smitherman, Crafty Hope
Isolina Perez, Isolina Perez
Jacqueline Keller, CreARTelier
Jane Haag, Did You Make Something Today?
Janeen Sorensen, Wild Vanilla Designs
Jean Peter, Jean P. Designs
Jennifer Judd, Jen Judd Rocks
Jennifer L Justman, Soul's Fire Designs
Joanna Matuszczyk, Bizuteria z filcu
Joanne Brown, Jo's Jewels
Joanne Lockwood, Jo Bunkum
Joyce Becker, Joyce's Joyful Gems
Judy Riley, Three Red Beads
Karen Mitchell, Over the Moon Design
Karen Williams, Baublicious
Karin von Hoeren, Creative Ideen
Karla Morgan, Texas Pepper Jams
Kashmira Patel, Sadafule .. always in bloom!
Kate Richbourg, We Can Make That at Home
Katrin Lembke, AllesPerle
Kathy Combs, Torched in Texas
Kathy Lindemer, Bay Moon Design
Kay Thomerson, Kayz Kreationz
Kelley Fogle, My Life, One Bead at at Time
Kelly Hosford Patterson, Traveling Side Show
Klaudette Koon, Only Road
Lara Lutrick, Lampwork Beads by Lara
Laura Guenther, Blue Antiquities
Laurie Lalonde, Simply Mod Jewelry
Lilik Kristiani, Soul of My Embodiment
Linda Younkman, Lindy's Designs
Lisa Chapman, Beach Cat Beads
Lisa Lodge, Pine Ridge Treasures
Loretta Carstensen, Designs by Loretta
Lori Bergmann, Lori Bergmann Design
Lori Dorrington, Lori's Adventures in Etsy Land
Lupe Meter, Gem's PC Corner
Lynn Davis, LLYYNN
Malin de Koning, Beading by Malin
Mandi Effron, Craft-o-licious
Mandy Williamson, Mimi's Beading
Margot Potter, The Impatient Crafter
Maria Rosa Sharrow, Willow Street Shops
Marianne Baxter, Simply Seablime Jewelry
Marina Dobrynina, Savon Feutre
Marjolein Trewavas, Room for Change
Marelene Cupo, Amazing Designs
Marsha Neal, Marsha Neal Studio
Marta Kaczerowska, uhuhu
Mary Govaars, MLH Jewelry Designs
Melissa Trudinger, Bead Recipes
Menka Gupta, Menka's Jewelry Blog
Michelle Burnett, Reverie and Revival
Michelle Escano-Caballero, The Cabby Crafter
Miko Wiropati, Uniquely Yunikua
Milla Hope, LB Creative Arts and Crafts
Mimi Gardner, Other Curiosities
Miranda Ackerley, MirandackArts
Natalie McKenna, grubbi
Noemi Baena, fuego, metal, y color
Pam Ferrari, Ferrari Originals
Pam Sears, Crazy Creative Corner
Penny Neville, Copper Penny
Rachel Baron, R. Baron Designs
Rachel Myers, Rockabead Jewelry
Rana Wilson, Definitive Designs by R. Wilson
Rebecca Anderson, Song Beads
Rebecca Sirevaag, Becca's Place
Riki Schumacher, Riki Jewelry
Rose Binoya, Ahtee's Blog
Rossana De Gaspari, Rdegas Blog
Sandi James, Do Be Do Bead Do
Sandi Volpe, Sandi Volpe
Sandra Wollberg, City of Brass Stories
Sarah Goode, Pookledo
Sarah Small, blog by salla
Shai Williams, Shaiha's Ramblings
Shawn Mills, Shawn Marie Designs with Bent Wire
Sheila Davis, Stone Designs by Sheila
Sheryl Stephens, Babble Bead
Shiraz Biggie, Secret Song Designs
Solange Collin, Ahowin Handcrafted Jewelry
Sonya Stille, Dreamin' of Beads
Stephanie Dixon, The Dixon Chick
Susan Kennedy, Sue Beads
Susan Sheehan, Strands of Thought
Suzann Sladcik Wilson, Beadphoria
Sweet Freedom, Sweet Freedom Designs
Tabatha Dinger, Modernly Created
Tania Hagen, Pelima Jewellery Design
Tanya Boden, Fusion Muse
Terri Gauthier, Blooming Ideas
Terry Carter, Tapping Flamingo
Tracy Stillman, Tracy Stillman Designs
edited to add: kumihimo lariat design process is detailed here!
enameled bead necklace with sari ribbon is detailed here!
Vintaj charm bracelet design process detailed here!
sari ribbon cuff with blue bird is detailed here!
crystal spinner ring is detailed here!
Sunday, September 5, 2010
SilverSmithing
I just returned from a week at William Holland Lapidary School, where I took my first Silver class.
So. Much. Fun!!
Had a great teacher (Hi, Bill!), and completed 4 projects, and have 2 partially done.
The class was structured such that we had lecture Sunday night for a couple of hours, and then started work bright and early Monday morning. There were 2 mandatory projects, and once we successfully completed those, we could move on to an independent project of our own design.
This bangle bracelet was our 1st mandatory project, and was a great teaching project and a good choice for a 1st project, because while it taught us a lot of metalwork techniques, believe it or not, this gorgeous bangle required only 1 solder! So we spent a long time prepping the piece - twisting the wire, hammering it, etc - and then got it set up for the solder, and although the teacher had demo'd it for us at his workstation, since it was each student's 1st time soldering, we were all a little nervous and unsure, so we would call him over to our workstations when we were ready, and then he would help each of us individually.
And it is a truly stunning bracelet!
The next mandatory project was a ring - the teacher had many cabochons to choose from, or we could use our own. I had taken a few with me, but once I saw this turquoise cab (made by my Silver teacher, who clearly has talents extending far beyond Silversmithing), I heard it calling my name, and decided to use it for my ring.
The ring was a very difficult project; many, many solder joins, as well as the other metalworking skills required to create it.
It took me most of 3 days to finish the ring, although I was able to jump around and work on my other 2 projects while I was waiting for equipment, or otherwise needing to wait before proceeding with another step on the ring. So it actually probably took only a total of a day and a half to finish the ring, not counting the interruptions and waiting.
And after making all these solders, and having the ring actually fit, and the stone stay in its setting, I had a lot more confidence in my abilities, too! And I later learned that my ring would have been a whole lot easier to do if I had chosen a cab with even dimensions, instead of this irregularly cut one - but I always go for the asymmetric stuff!
Getting these decorative balls in the shank of the ring was a pain!
Back view of the ring, showing my blatant rookie mistake: the back of the ring had to be stamped "sterling" before the shank was soldered on, and I placed the stamp in such a position that the solder flowed right over the "ster" in "sterling". So I guess my ring is just "ling"?
This was a project we were shown to use up the excess wire left over from the bangle; I only had enough excess to make a small pinkie ring!
And this is my big masterpiece - I am so pleased with the way it turned out. I used my own dichroic glass cabs, and designed this pendant to hang from an Omega or from a hard collar, and with a lot of direction from the teacher, it all came together very nicely!
I also started a 2nd pendant, and reticulated the silver links for a bracelet, but I couldn't finish either before I had to leave. And it will be awhile before I can finish either of them, because silversmithing is expensive! I want to order all the tools and equipment (not to mention, silver) that I need to start doing it right away, but lack the necessary fundage.
But hopefully my pal MAK (aka Glenda the Good Witch) will perfect the spell she is working on for me, and I will soon have money growing on trees, or something like that.
A girl can hope, anyway....
So. Much. Fun!!
Had a great teacher (Hi, Bill!), and completed 4 projects, and have 2 partially done.
The class was structured such that we had lecture Sunday night for a couple of hours, and then started work bright and early Monday morning. There were 2 mandatory projects, and once we successfully completed those, we could move on to an independent project of our own design.
This bangle bracelet was our 1st mandatory project, and was a great teaching project and a good choice for a 1st project, because while it taught us a lot of metalwork techniques, believe it or not, this gorgeous bangle required only 1 solder! So we spent a long time prepping the piece - twisting the wire, hammering it, etc - and then got it set up for the solder, and although the teacher had demo'd it for us at his workstation, since it was each student's 1st time soldering, we were all a little nervous and unsure, so we would call him over to our workstations when we were ready, and then he would help each of us individually.
And it is a truly stunning bracelet!
The next mandatory project was a ring - the teacher had many cabochons to choose from, or we could use our own. I had taken a few with me, but once I saw this turquoise cab (made by my Silver teacher, who clearly has talents extending far beyond Silversmithing), I heard it calling my name, and decided to use it for my ring.
The ring was a very difficult project; many, many solder joins, as well as the other metalworking skills required to create it.
It took me most of 3 days to finish the ring, although I was able to jump around and work on my other 2 projects while I was waiting for equipment, or otherwise needing to wait before proceeding with another step on the ring. So it actually probably took only a total of a day and a half to finish the ring, not counting the interruptions and waiting.
And after making all these solders, and having the ring actually fit, and the stone stay in its setting, I had a lot more confidence in my abilities, too! And I later learned that my ring would have been a whole lot easier to do if I had chosen a cab with even dimensions, instead of this irregularly cut one - but I always go for the asymmetric stuff!
Getting these decorative balls in the shank of the ring was a pain!
Back view of the ring, showing my blatant rookie mistake: the back of the ring had to be stamped "sterling" before the shank was soldered on, and I placed the stamp in such a position that the solder flowed right over the "ster" in "sterling". So I guess my ring is just "ling"?
This was a project we were shown to use up the excess wire left over from the bangle; I only had enough excess to make a small pinkie ring!
And this is my big masterpiece - I am so pleased with the way it turned out. I used my own dichroic glass cabs, and designed this pendant to hang from an Omega or from a hard collar, and with a lot of direction from the teacher, it all came together very nicely!
I also started a 2nd pendant, and reticulated the silver links for a bracelet, but I couldn't finish either before I had to leave. And it will be awhile before I can finish either of them, because silversmithing is expensive! I want to order all the tools and equipment (not to mention, silver) that I need to start doing it right away, but lack the necessary fundage.
But hopefully my pal MAK (aka Glenda the Good Witch) will perfect the spell she is working on for me, and I will soon have money growing on trees, or something like that.
A girl can hope, anyway....
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